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Film
A film lover's guide to
Cannes 2025
Review
Cannes 2025
Alpha review—Ducournau’s bleak AIDS allegory is filled with originality
By
Iana Murray
Cannes 2025
The story behind Mia Threapleton’s dazzling Cartier Rosary in The Phoenician Scheme
By
Chris Cotonou
Cannes 2025
Ticket hacks, Charli XCX and not getting into the MUBI party: a Cannes Diary—part 1
By
Kitty Grady
Art & Photography
Croisette Confidential: Derek Ridgers on photographing the Cannes Film Festival
By Fatima Khan
Cannes 2025
Eddington review—Ari Aster’s smalltown Western shows an America divided
By
Chris Cotonou
Cannes 2025
Nouvelle Vague review—Linklater’s hangout movie about the making of Breathless is a delight
By
Luke Georgiades
Cannes 2025
Die My Love review—Jennifer Lawrence triumphs in Lynne Ramsay’s marital psychodrama
By
Christina Newland
Cannes 2025
Mission: Impossible — The Final Reckoning lives and dies by its legacy
By
Luke Georgiades
Cannes 2025
One night in Cannes with Benicio Del Toro
By
Luke Georgiades
With support from Marc Lotenberg, founder of DORSIA
Cannes 2025
Fish is a language: how Fred L’Écailler became a Cannes festival favourite
By
Chris Cotonou
Cannes 2025
The Plague review—Lord of the Flies meets Water Lillies
By
Kitty Grady
Cannes 2025
A Human Story: in conversation with Benicio Del Toro
By
Chris Cotonou
Cannes 2025
“I had to do his story justice”: Frank Dillane on belief systems, backache and becoming Harris Dickinson’s leading man
By Kitty Grady
Photography by Fatima Khan
Cannes 2025
Harris Dickinson on Urchin: “Directing has always been my first love”
By Kitty Grady
Photography by Fatima Khan
Art & Photography
Doug Aitken: Lightscape and the Language of Now
By Lucca Hue-Williams and Fatima Khan
Confessions
“I was in love with her”: Celeste Dalla Porta on becoming Parthenope
By
Kitty Grady
Confessions
With abortion drama April, Dea Kulumbegashvili demands our attention
By
Kitty Grady
Film
Why have so few films been made by Black women?
By
Haaniyah Awale Angus
Film
Blood & Blues: how Sinners uses music to reflect the history of the oppressed
By Michaela Makusha
Film
In search of Maria Plyta, the first female Greek director
By
Marina Zigneli
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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