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Film
Confessions
Isabelle Huppert: Confessions of a Mask
By Kitty Grady
Confessions
With The Kidnapping of Arabella, Carolina Cavalli is overcoming nostalgia
Interview and Photography by
Luke Georgiades
Venice 2025
Cover-Up review—Laura Poitras’ arresting portrait of investigative journalist Seymour Hersch
By
Kitty Grady
Venice 2025
Jacob Elordi, Netflix speed boats and the long queue for cappuccino: a Venice Diary–part 1
By
Kitty Grady
Events
A Rabbit’s Foot and Cartier celebrate the craft of cinema in Venice
By A Rabbit's Foot
A film lover's guide to
A film lover’s guide to Venice
By A Rabbit's Foot
Film
Notes from a weekend of horror
By
Haaniyah Awale Angus
Film
Sorry, Baby, and the rise of the trauma-comedy
By Laura Zeng
Film
Islands on screen: Sicily in Michelangelo Antonioni’s L’Avventura (1960)
By
Chris Cotonou
Film
Islands on screen: Capri in Jean-Luc Godard’s Le Mépris (1963)
By
Chris Cotonou
Film
Islands on screen: Roberto Rossellini’s Stromboli (1950)
By
Chris Cotonou
A film lover's guide to
A film lover’s guide to summer (in the city)
By A Rabbit's Foot
Film
Kings of Provence: On Pagnol and Fernandel
By
Luke Georgiades
Film
What Plato can teach us about Ari Aster’s Eddington
By Maxime Toscan du Plantier
Venice 2025
10 gems to look out for at Venice Film Festival 2025
By A Rabbit's Foot
Film
Lady Lyndon: Stanley Kubrick’s most underrated heroine?
By Zoe Worth
Film
The Mud Diaries: notes from the set of Harvest
By Rafa Sales Ross
Film
Why Jean Cocteau’s Le Testament d’Orphée is the ultimate art film
By Chloë Cassens
Film
Scorched earth: Hot Milk and the hard truths about mother-daughter holidays
By
Nadia Maria Oliva
Film
The urge to merge? The queer art of persona swap films
By
Charlotte Matheson
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19
N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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