Confessions

Confessions

Guy Maddin wants you to find yourself in the movies

By Luke Georgiades

Confessions

Jesse Eisenberg: “It’s possible to be a human being while also exploring places of great tragedy”

By Katie Driscoll

Confessions

Rungano Nyoni: “Trauma is minding your business and then there’s a body lying next to you”

Confessions

Martin Brest al Pacino scent of a woman

An Oral History of Scent of a Woman

By Luke Georgiades

Confessions

Melissa Barrera: “The most fun I ever had on set was either while covered in blood or doing a musical number.”

By Luke Georgiades

Confessions

Kiyoshi Kurosawa on creating a living hell in new thriller ‘Cloud’

By Leila Amar

Confessions

memories of a burning body

Antonella Sudasassi on Memories of a Burning Body: “Sex is something we need to survive.”

By Xuanlin Tham

Confessions

London Palestine Film Festival Founder: “This is revolutionary cinema”

By Luke Georgiades

Confessions

“She goes into her belly. She goes into her flesh” : Noémie Merlant on becoming Emmanuelle

By Kitty Grady | Photography Fatima Khan

Confessions

“Let’s see what is erotic” : Audrey Diwan on creating Emmanuelle

By Kitty Grady | Photography by Fatima Khan

Confessions

With A Nice Indian Boy, Roshan Sethi and Karan Soni are reinventing the rom-com in their own image

By Luke Georgiades

Confessions

Ali Abbasi on The Apprentice: “This isn’t a Trump movie, it’s a transformation movie”

By Luke Georgiades

Confessions

London Film Festival ’23: Andrew Haigh on All of Us Strangers

By Luke Georgiades

Confessions

Shinya Tsukamoto on body horror’s new prestige era

By Josh Slater-Williams

Confessions

Bruce Robinson: “You want to go up to 70 mph. That’s where the madness happens”

By Chris Cotonou

Confessions

From Russia with Love: Sean Baker and Mikey Madison on Anora

By Luke Georgiades

Confessions

Coralie Fargeat: “I give birth through my art”

Confessions

Vive l’amour at 30: Tsai Ming-liang revisits his intoxicating masterpiece

By Luke Georgiades

Confessions

Producer Alex Saks on It Ends With Us: “We don’t make a ton of movies anymore that elicit emotions like this.”

By Luke Georgiades

Confessions

In Sing Sing, Clarence Maclin is tapping into his rawest self

By Luke Georgiades

N0.10 The Word – 2025

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