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Cannes 2025
Put Your Soul on Your Hand and Walk: Cinema doesn’t get more urgent than this
By
Luke Georgiades
Confessions
Michael Cera: “I wish I was Bill Murray”
By
Chris Cotonou
Art & Photography
The sun-drenched summers of photographer Akila Berjaoui
By
Luke Georgiades
Cannes 2025
Resurrection review—Bi Gan’s love letter to cinema is a masterpiece
By
Jenna Mahale
Art & Photography
With Radical Honesty, Robbie Williams is making an exhibition of himself
By Craig McLean
Cannes 2025
Romeria review—Carla Simon’s pilgrimage towards grief and family history
By
Iana Murray
Confessions
Babak Anvari’s Hallow Road is nightmare fuel for parents
By
Luke Georgiades
Cannes 2025
The Secret Agent review—a primary-coloured exploration of violence and humanity
By
Christina Newland
Cannes 2025
Renoir review — Chie Hayakawa channels Shinji Sōmai in her delicate vision of childhood grief
By
Luke Georgiades
Cannes 2025
Crying on the Croisette, Atomic Kitten and the quest for a crime story: a Cannes diary—part II
By
Kitty Grady
Cannes 2025
Sentimental Value review—tenderness is punk in Joachim Trier’s miraculous family drama
By
Iana Murray
Cannes 2025
Highest 2 Lowest review — Spike Lee, I love you!
By
Chris Cotonou
Cannes 2025
The Phoenician Scheme review — Wes Anderson’s latest is a charming mix of his greatest hits
By
Chris Cotonou
Confessions
Sister Midnight star Radhika Apte finds comfort in the chaos
By
Luke Georgiades
Photography by Fatima Khan | Styling by Kitty Spicer
Cannes 2025
Alpha review—Ducournau’s bleak AIDS allegory is filled with originality
By
Iana Murray
Cannes 2025
The story behind Mia Threapleton’s dazzling Cartier Rosary in The Phoenician Scheme
By
Chris Cotonou
Cannes 2025
Ticket hacks, Charli XCX and not getting into the MUBI party: a Cannes Diary—part 1
By
Kitty Grady
Art & Photography
Croisette Confidential: Derek Ridgers on photographing the Cannes Film Festival
By Fatima Khan
Cannes 2025
Eddington review—Ari Aster’s smalltown Western shows an America divided
By
Chris Cotonou
Cannes 2025
Nouvelle Vague review—Linklater’s hangout movie about the making of Breathless is a delight
By
Luke Georgiades
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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