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Film
A film lover's guide to
Cannes 2025
Review
Film
The Banshees of Inisherin: Gleeson and Farrell’s Existential Break-Up is a Joy to Watch
By Sam Murphy
Film
Women Talking: Nuanced exploration of solidarity in the face of injustice
By Sabrina Raven
Film
Confessions of a ’99: #TriangleOfSadness
By Shaden Adela
Film
The Eternal Daughter: Beauty and Bloodshed in Mother/Daughter Relationships
By Issy Carr
Festival
London Film Festival 2022 – The Winners Roundup
By Luke Georgiades
Film
Bardo: Iñárritu Delivers a Flawed yet Brilliant Psychotropic Trip
By Sam Murphy
Film
Decision To Leave: A Visual Spectacular that Thrives in Sensuality
By
Luke Georgiades
Film
Athena – stunning urban apocalypse that slowly burns out
By Sam Murphy
Confessions
Ground Zero: Dreams of A Liquor Store Baby
By
Luke Georgiades
Film
The London Film Festival Radar
By A Rabbit's Foot
Editorial
Blonde: Monroe Biopic has Brutal, Unfeasible Ambitions
By Chris Cotonou
Film
Don’t Worry Darling: Pretty as a picture, but nothing under the hood
By Sam Murphy
Film
Crimes Of The Future: Cronenberg returns as polarising as ever
By
Luke Georgiades
Festival
5 Films on our San Sebastián Film Festival Watchlist
By Luke Georgiades
Film
Real Love: Cinema Paradiso
By Allegra Handelsman
Film
A Fistful Of Absurdity
By Jason Diamond
Film
Morricone: A Reluctant Genius
By Jason Solomons
Film
Ennio Morricone: A Reluctant Genius
By Jason Solomons
Film
A Personal Account Of ‘The Dollars Trilogy’
By Gretchen Heffernan
Confessions
Chiara Mastroianni: My Father, Marcello
By Natasha A. Fraser
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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