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Film
Film
The fighting spirit of Jane Fonda
By Natasha A. Fraser
Film
Forget what you’ve heard: Babylon is the Oscar’s biggest snub yet
By
Luke Georgiades
Film
Holy Spider: Iranian Thriller Untangles a Delicate Web of Misogyny
By Sam Murphy
Film
M3gan: Campy Horror Meets the Zeitgeist in Newest Addition to the Killer-Doll Genre
By Alex Clark
Film
Aftersun: A Quiet Masterpiece
By Makis Papantoniou
Film
The Top 15 Films of 2022
By
Luke Georgiades
Confessions
“Jesus for the Hardcore”: Abel Ferrara talks Padre Pio
By Chris Cotonou
Festival
Marrakech Film Festival: Winners & Highlights
By Chris Cotonou
Film
Black Adam: Another Muddling Superhero Mess
By
Luke Georgiades
Film
The Banshees of Inisherin: Gleeson and Farrell’s Existential Break-Up is a Joy to Watch
By Sam Murphy
Film
Women Talking: Nuanced exploration of solidarity in the face of injustice
By Sabrina Raven
Film
Confessions of a ’99: #TriangleOfSadness
By Shaden Adela
Film
The Eternal Daughter: Beauty and Bloodshed in Mother/Daughter Relationships
By Issy Carr
Festival
London Film Festival 2022 – The Winners Roundup
By Luke Georgiades
Film
Bardo: Iñárritu Delivers a Flawed yet Brilliant Psychotropic Trip
By Sam Murphy
Film
Decision To Leave: A Visual Spectacular that Thrives in Sensuality
By
Luke Georgiades
Film
Athena – stunning urban apocalypse that slowly burns out
By Sam Murphy
Confessions
Ground Zero: Dreams of A Liquor Store Baby
By
Luke Georgiades
Film
The London Film Festival Radar
By A Rabbit's Foot
Editorial
Blonde: Monroe Biopic has Brutal, Unfeasible Ambitions
By Chris Cotonou
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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