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Editorial
A film lover's guide to
A film lover’s guide to summer (in the city)
By A Rabbit's Foot
Editorial
A Rabbit’s Foot presents ‘Cinema Saves’—with Celine Song
By A Rabbit's Foot
Culture
Culture is obsessed with rediscovering female artists—but why were they ever lost?
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Film
Kings of Provence: On Pagnol and Fernandel
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Culture
Spice Up Your Biopic: where’s the remake we really really want?
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Confessions
Esther Freud on Bella Freud: “I don’t know if she’s mistaken for me, but I’m quite often mistaken for her”
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Armani Syed
Style
How Queen Latifah helped me fall in love with fashion—and myself
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What Plato can teach us about Ari Aster’s Eddington
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Culture
Albert Camus’ Algerian Summer
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Chris Cotonou
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Inside London’s gloriously sleazy new cinema dedicated entirely to cult film
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Christina Newland
Venice 2025
10 gems to look out for at Venice Film Festival 2025
By A Rabbit's Foot
Art & Photography
In Paris, explore one photographer’s journey through La Fête de la Musique
By Edie Coop
Film
Lady Lyndon: Stanley Kubrick’s most underrated heroine?
By Zoe Worth
Film
The Mud Diaries: notes from the set of Harvest
By Rafa Sales Ross
Confessions
Jouissance: a new perfume brand inspired by erotic fiction
By Kitty Grady
Confessions
Too Much’s Leo Reich isn’t interested in likeable characters—and neither are you
By Kitty Grady
Art & Photography
Mountains of the mind: Cézanne in Sainte-Victoire
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Film
Why Jean Cocteau’s Le Testament d’Orphée is the ultimate art film
By Chloë Cassens
Art & Photography
À la Colombe d’Or, where you sleep beneath a Picasso
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Constance Ayrton
Art & Photography
Emil Sands’ sea-splashed paintings probe the complexity of the body
By Lydia R. Figes
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36
N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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