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Culture
“Is it hot in here?”: Chloe Qisha is making existential dread look sexy
Words and Photography
Luke Georgiades
Confessions
Joshua Oppenheimer on making a musical fit for the end of the world
By
Nadia Maria Oliva
Film
So decadent, so silly: Parker Posey as Party Girl, 30 years on
By
Katie Driscoll
Confessions
Mark Anthony Green on Japanese horror, Maggot Brain and Black Alt Music Auteurism
By Luke Georgiades
Photography by Fatima Khan
Confessions
Laura Carreira on her Chantal Akerman-inspired feature ‘On Falling’
By
Issy Carr
Culture
A schoolteacher’s response to ‘Adolescence’
By Jannat Suleman
Film
The tradwife politics of Mickey-17
By
Haaniyah Angus
Culture
At home with Dame Judi Dench
By
Natasha A. Fraser
Confessions
Oleksiy Radynski documents the secret life of Russian soldiers
By
Kitty Grady
A film lover's guide to
A film lover’s guide to Ireland
By
Sam Murphy
Culture
Lee Chang-dong’s ‘Snowy Day and Other Stories’ uses the quotidian to express the totality of life
By Jawni Han
Confessions
Asako Yuzuki: J’Accuse!
By Chris Cotonou
Photography by Hiroshi Asakura
Culture
Daphne du Maurier’s lifelong Cornish love affair
By Issy Carr
Art & Photography
With Vita Dopo Vita, memory and art collide in the City of Light
By
Alia Abdulla
Film
A camera and a coma: On Edward Yang’s Yi Yi
By
Madeleine Wulfahrt
Film
On Buck and The Preacher: How Sidney Poitier made a career conquering mountains
By
Luke Georgiades
Art & Photography
Legendary rock photographer Bob Gruen’s new exhibition will take your breath away
By Young Kim
Film
Revolutionary Desires: The new book putting power to the on-screen sex scene
By Xuanlin Tham
Film
What do awards ceremonies mean today?
By
Allegra Handelsman
Confessions
On ‘Off With Her Head’, Banks finds joy in executing demons
By Luke Georgiades
Photography by Olivia Richardson
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N0.10 The Word – 2025
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