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Editorial
Venice 2025
10 gems to look out for at Venice Film Festival 2025
By A Rabbit's Foot
Art & Photography
In Paris, explore one photographer’s journey through La Fête de la Musique
By Edie Coop
Film
Lady Lyndon: Stanley Kubrick’s most underrated heroine?
By Zoe Worth
Film
The Mud Diaries: notes from the set of Harvest
By Rafa Sales Ross
Confessions
Jouissance: a new perfume brand inspired by erotic fiction
By Kitty Grady
Confessions
Too Much’s Leo Reich isn’t interested in likeable characters—and neither are you
By Kitty Grady
Art & Photography
Mountains of the mind: Cézanne in Sainte-Victoire
By
Lucy Davies
Film
Why Jean Cocteau’s Le Testament d’Orphée is the ultimate art film
By Chloë Cassens
Art & Photography
À la Colombe d’Or, where you sleep beneath a Picasso
By
Constance Ayrton
Art & Photography
Emil Sands’ sea-splashed paintings probe the complexity of the body
By Lydia R. Figes
Film
Scorched earth: Hot Milk and the hard truths about mother-daughter holidays
By
Nadia Maria Oliva
Art & Photography
The early years of David Hockney reveal a bigger splash
By
Alia Abdulla
Confessions
Amanda Lear on Dalí and Disco
By Pierre Siankowski
Confessions
Seven Queer filmmakers on the artwork that shaped them
By A Rabbit's Foot
Art & Photography
The everlasting grit and grace of Anton Corbijn’s photography
By Sayori Radda
Film
The urge to merge? The queer art of persona swap films
By
Charlotte Matheson
A film lover's guide to
A film lover’s guide to sapphic cinema
By A Rabbit's Foot
Stories & Essays
Notes from the writing workshop
By
Ramzi De Coster
Culture
Xenobe Purvis on her haunting tale of mass hysteria
By
Sara Ella-Ozbek
Confessions
“His goal was art. All day, every day: art”: four David Lynch collaborators on the legacy of Twin Peaks
By
Luke Georgiades
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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