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Film
A film lover's guide to
Cannes 2025
Review
Film
Our editors select the 10 best film moments of 2023
By A Rabbit's Foot
Film
Wonka review – sweet like chocolate
By Chris Cotonou
Film
Pictures of Ghosts review – magical realism without the spark
By Sam Murphy
Film
Quadrophenia: Franc Roddam on his Seventies Mod Masterpiece
By Chris Cotonou
Film
What we learned at Marrakech Film Festival 2023
By Chris Cotonou
Confessions
Naomi Kawase’s next film is about “human evaporation”
By
Luke Georgiades
Film
On death and stillness: Ridley Scott’s Thelma & Louise
By
Kitty Grady
Film
Sex, Longing, Angels, Ghosts: The Visual Legacy of Fallen Angels
By
Luke Georgiades
Film
A Love Letter to To Live and Die in L.A.
By Chris Cotonou
Film
A Love Letter to William Friedkin’s Sorcerer
By
Luke Georgiades
Film
A Love Letter to The French Connection
By Elena Lazic
Confessions
Emerald Fennell on Saltburn: “The more pathetic a character is, the closer they are to me”
By Chris Cotonou
Confessions
Paul Sng: “It’s always good to have a mystery that you don’t solve”
By Kitty Grady
Confessions
Catherine Hardwicke: “I made Twilight to help people love the planet”
By Natasha Jagger
Film
BIFA ’23 nominations highlight a great year for British Indies
By Luke Georgiades
Film
Kim Jee-woon: “In order to do film well…there’s this ordinary life that I’ve been avoiding.”
By Sam Murphy
Film
Miu Miu x Woman’s Tales: Stane, by Antoneta Alamat Kusijanovic
By A Rabbit's Foot
Film
Alan Scott: Writing Don’t Look Now
By Alan Scott
Film
Werner Herzog’s Fitcarraldo and the journey into darkness
By
Peter Bradshaw
Film
The Divine Transcendence of Alice Coltrane
By Holly Alvarado
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18
N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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