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Film
A film lover's guide to
Review
Film
The Box Man review – surreal drama with more than four-dimensions
By James Harding
Film
5 films to watch at BFI Flare 2024
By
Luke Georgiades
Film
Makeup artist Thomas Nellen on Jeff Bridges: “He is a very profound human being”
By
Luke Georgiades
Film
And the award goes to…8 moments of mischief at the Academy Awards
By Ben Croll
Film
Sisterhood, sensitivity and safe spaces: Kaouther Ben Hania’s Four Daughters
By Zoe Whitfield
Film
Wandering womb: the exquisite corpse of Bella Baxter
By
Kitty Grady
Film
How Shona Heath created the fantastically freaky world of Poor Things
By
Luke Georgiades
Film
Berlinale 2024: A Traveller’s Needs review – a quirky tale of translation
By Cici Peng
Film
Berlinale 2024: No Other Land review – weapons of violence and creation
By Cici Peng
Film
Berlinale 2024: Dahomey review – Africa blossoms, Europe fades
By Susan Finlay
Confessions
Berlinale 2024: Julia von Heinz on Treasure – “Crying is the greatest gift”
By Hannah Ghorashi
Film
Berlinale 2024: Janet Planet review – down-to-earth portrait of motherhood
By Matthew Turner
Film
Berlinale 2024: Love Lies Bleeding review – style, sex and steroids
By Matthew Turner
Film
The Taste of Things review – a feast for the senses
By Sam Murphy
Film
If you’re a man: The Iron Claw, sport and masculinity in film
By Henry Roberts
Film
Plastic fantastic: how Sarah Greenwood and Katie Spencer built Barbie Land
By Kitty Grady
A film lover's guide to
A film lover’s guide to cocktails
By Sam Murphy
Film
Death Proof, and Quentin Tarantino’s Greatest Motor Moments
By
Luke Georgiades
Film
Psychotically perfect: do TikTok beauty routines have their roots in cinema?
By William Hosie
Film
Occupied City review – a moving archaeology of the Holocaust
By Kitty Grady
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N0.10 The Word – 2025
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