Editorial

Film

Levan Akin: “Earnestness is something I miss in film”

Film

Notes from the unrequited: Isabel Sandoval on Wong Kar-wai

By Isabel Sandoval

Film

Absence as presence in the cinema of Marguerite Duras

A film lover's guide to

A romantic’s guide to summer love on screen

Confessions

Nick Ashley biking

Nick Ashley: In Motorised Meditation

By Luke Georgiades

Culture

artists for aid

Artists for Aid: Historical London concert calls for action in Gaza and Sudan

By Luke Georgiades

Confessions

Erica Tremblay’s Fancy Dance is a gift of Native American filmmaking

By Luke Georgiades

Editorial

A Rabbit’s Foot short film competition

By A Rabbit's Foot

Film

Modern dance: why we are living in the age of off-kilter choreography

By Alex Denney

Culture

The cinematic life of Harold Pinter

By Natasha A. Fraser

Confessions

With Bye Bye Tiberias, Lina Soualem is taking back her family’s legacy

By Dalia Al-Dujaili | Creative direction and photography by Fatima Khan

Culture

Sunchaser: Rick Rubin on his Festival of the Sun

By Chris Cotonou

Film

Agnieszka Holland: “We are changing Europe into some kind of fortress”

By Lillian Crawford

Confessions

Drugstore cowboy its

“We had Satan on speed-dial”: An Oral History of Drugstore Cowboy

By Luke Georgiades

Culture

11 books film lovers should read this summer

Film

Jeanne Moreau and the new Femme Fatale

Art & Photography

Nadia Lee Cohen on tragedy, fiction and making her first film

Culture

Il Postino and the land of the capers

By Amber Guinness

Confessions

Viggo Mortensen on why filmmaking is like publishing: “You have to remove parts unemotionally”

By Chris Cotonou

Confessions

Why Richard Linklater is “always thinking in the eternal”

By Luke Georgiades

N0.10 The Word – 2025

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Featuring: Adrien Brody, Jeremy O Harris, Judi Dench, Denis Villeneuve, David Hare, Jacques Audiard, Steve McQueen, Brady Corbet, Felicity Jones, Harriet Walter, Halina Reijn, Edward Berger, Asako Yuzuki, Efthimis Filippou, Elyanna

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