Editorial

Editorial

Introducing Issue 10—with cover star Jeremy O Harris

By Charles Finch

Confessions

The Seed of the Sacred Fig explores familial fragmentation under theocracy

Film

With The Fire Inside, Rachel Morrison is flipping the sports film on its head

By Luke Georgiades

Film

60 years later, Jean-Luc Godard’s ‘A Woman is A Woman’ still feels fresh

By Madeleine Wulfahrt

Film

Predicting the winners of the 2025 Oscars

By A Rabbit's Foot

Film

Chantal Akerman and the image of exile

Confessions

The Dark Lady: Harriet Walter

By Kitty Grady

Confessions

Steve McQueen: “Legacy? No. I’m just getting started.”

By Luke Georgiades

Confessions

Jacques Audiard knows he can’t please everyone

By Chris Cotonou

Confessions

Jack Huston on Day of the Fight: “I had to feel as if it would kill me if I didn’t make this movie.”

By Luke Georgiades

Culture

Poetic Rhapsody: An audience with Elyanna

Interview and Photography by Luke Georgiades

Confessions

Mike Leigh: “My job is to get the hell on with it, make films and shut up”

By Luke Georgiades

Confessions

Adrien Brody on crafting a legacy for stage, screen and canvas

By Charles Finch

Confessions

Felicity Jones: “I feel driven and decisive in my work”

Confessions

The building is screaming: Brady Corbet on The Brutalist

By Fridtjof Ryder

Film

Nosferatu, Babygirl and the discourses of female desire

By Haaniyah Awale Angus

Art & Photography

yorgos lanthimos photography

Yorgos Lanthimos’ new photography book is a thing of twisted beauty

By Chris Cotonou

Film

“The power of both”: A farewell to David Lynch

By Andy Hazel

Film

Why L.A. Story is a much-needed rewatch

By Hannah Benson

Confessions

Nick Hamm on his William Tell epic: “I wanted it to be like The Sound of Music with violence.”

By Chris Cotonou

N0.12 SANCTUARY

LATEST
ISSUE

Featuring: Isabelle Huppert, John Malkovich, Harris Dickinson, Celine Song, Emily Young, Warren Ellis, Rachel Kushner, Fernando Meirelles, Justin Kurzel, Frank Dillane

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