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Editorial
Confessions
Usman Riaz on The Glassworker, Pakistan’s first hand-drawn animated film
By Fatima Khan
Film
The movies we are looking forward to in 2025
By A Rabbit's Foot
Confessions
“I live like a nun”: Director Halina Reijn on Babygirl
By Kitty Grady
Confessions
Daniela Stephan on The Sun Sets on Beirut: “Lebanese cinema is proof of our existence.”
By
Luke Georgiades
Film
Our editors select the 10 best film moments of 2024
By A Rabbit's Foot
Confessions
Denis Villeneuve dreams of movies
By
Chris Cotonou
Confessions
A symphony of shadows: Robert Eggers and his cast shed light on their new Nosferatu
By
Alia Abdulla
Art & Photography
The day David Montgomery met Alfred Hitchcock
By David Montgomery
Confessions
Joan Chen on Twin Peaks, motherhood, and finding new acclaim with Didi
By Andy Hazel
Confessions
Guy Maddin wants you to find yourself in the movies
By
Luke Georgiades
Confessions
Jesse Eisenberg: “It’s possible to be a human being while also exploring places of great tragedy”
By
Katie Driscoll
Film
The fatal history of Robert Siodmak’s The Killers
By
Natasha A. Fraser
Culture
Comedian Julia Masli wants to solve your problems
By
Genevieve Gaunt
Culture
The cinematic visions of William S. Burroughs
By Miriam Balanescu
Film
A dispatch from Marrakech Film Festival—part 2
By
Chris Cotonou
Film
A dispatch from Marrakech Film Festival—part 1
By
Chris Cotonou
Art & Photography
Louise Giovanelli on curtains, Mariah Carey and working men’s clubs
By
Zoe Whitfield
Culture
The many appetites of Eve Babitz
By
Katie Driscoll
Art & Photography
John Ingledew’s photographic journey through British skinhead culture
By Fatima Khan
Confessions
Rungano Nyoni: “Trauma is minding your business and then there’s a body lying next to you”
By
Kitty Grady
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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