Editorial

Culture

Spice Up Your Biopic: where’s the remake we really really want?

By Allegra Handelsman

Confessions

Esther Freud on Bella Freud: “I don’t know if she’s mistaken for me, but I’m quite often mistaken for her”

By Armani Syed

Style

How Queen Latifah helped me fall in love with fashion—and myself

By Haaniyah Awale Angus

Film

What Plato can teach us about Ari Aster’s Eddington

By Maxime Toscan du Plantier

Culture

Inside London’s gloriously sleazy new cinema dedicated entirely to cult film

By Christina Newland

Venice 2025

10 gems to look out for at Venice Film Festival 2025

By A Rabbit's Foot

Art & Photography

In Paris, explore one photographer’s journey through La Fête de la Musique

By Edie Coop

Film

Lady Lyndon: Stanley Kubrick’s most underrated heroine?

By Zoe Worth

Film

The Mud Diaries: notes from the set of Harvest

By Rafa Sales Ross

Confessions

Jouissance: a new perfume brand inspired by erotic fiction

By Kitty Grady

Confessions

Too Much’s Leo Reich isn’t interested in likeable characters—and neither are you

By Kitty Grady

Art & Photography

Mountains of the mind: Cézanne in Sainte-Victoire

By Lucy Davies

Film

Why Jean Cocteau’s Le Testament d’Orphée is the ultimate art film

By Chloë Cassens

Art & Photography

À la Colombe d’Or, where you sleep beneath a Picasso

By Constance Ayrton

Art & Photography

Emil Sands’ sea-splashed paintings probe the complexity of the body

By Lydia R. Figes

Film

Scorched earth: Hot Milk and the hard truths about mother-daughter holidays

By Nadia Maria Oliva

Art & Photography

The early years of David Hockney reveal a bigger splash

By Alia Abdulla

Confessions

Seven Queer filmmakers on the artwork that shaped them

By A Rabbit's Foot

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

Subscribe Buy Here

Editorial

Spice Up Your Biopic: where’s the remake we really really want?

Esther Freud on Bella Freud: “I don’t know if she’s mistaken for me, but I’m quite often mistaken for her”

How Queen Latifah helped me fall in love with fashion—and myself

What Plato can teach us about Ari Aster’s Eddington

Albert Camus’ Algerian Summer

Inside London’s gloriously sleazy new cinema dedicated entirely to cult film

10 gems to look out for at Venice Film Festival 2025

In Paris, explore one photographer’s journey through La Fête de la Musique

Lady Lyndon: Stanley Kubrick’s most underrated heroine?

The Mud Diaries: notes from the set of Harvest

Jouissance: a new perfume brand inspired by erotic fiction

Too Much’s Leo Reich isn’t interested in likeable characters—and neither are you

Mountains of the mind: Cézanne in Sainte-Victoire

Why Jean Cocteau’s Le Testament d’Orphée is the ultimate art film

À la Colombe d’Or, where you sleep beneath a Picasso

Emil Sands’ sea-splashed paintings probe the complexity of the body

Scorched earth: Hot Milk and the hard truths about mother-daughter holidays

The early years of David Hockney reveal a bigger splash

Amanda Lear on Dalí and Disco

Seven Queer filmmakers on the artwork that shaped them

N0.11 RIVIERA – 2025