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Editorial
Confessions
Joachim Rønning: “Young Woman and the Sea [is] the movie I want for my daughters.”
By Sam Murphy
Film
The Last Samurai: in memory of Alain Delon
By Makis Papantoniou
Film
Venice 2024: 10 unmissable films playing this year
By A Rabbit's Foot
Film
Anurag Kashyap on Gangs of Wasseypur
By Anurag Kashyap
Art & Photography
Becoming Georgia O’Keeffe
By
Lucy Davies
Film
Happy 100th birthday, Sidney Lumet!
By PK Fellowes
Confessions
With Didi, Sean Wang is telling a new kind of coming-of-age story
By
Luke Georgiades
Culture
Kneecap: Three Irishmen, an Englishman and a work of fine art
By Kitty Grady & Anna Pierce | Photography by Macy Stewart
Film
Are we living in the age of single parent cinema?
By Miriam Balanescu
Culture
A postcard from Bergman Island
By
Katie Driscoll
Film
Hard-Boiled Rice: The Avant-Garde Noir of Seijun Suzuki
By
Luke Georgiades
Art & Photography
Through the lens of obsession: On Nobuyoshi Araki, Enrique Metinides and Weegee
By Michael Hoppen
Film
Levan Akin: “Earnestness is something I miss in film”
By
Kitty Grady
Film
Notes from the unrequited: Isabel Sandoval on Wong Kar-wai
By Isabel Sandoval
Film
Absence as presence in the cinema of Marguerite Duras
By
Cici Peng
A film lover's guide to
A romantic’s guide to summer love on screen
By
Emma Firth
Confessions
Nick Ashley: In Motorised Meditation
By
Luke Georgiades
Culture
Artists for Aid: Historical London concert calls for action in Gaza and Sudan
By
Luke Georgiades
Confessions
Erica Tremblay’s Fancy Dance is a gift of Native American filmmaking
By
Luke Georgiades
Editorial
A Rabbit’s Foot short film competition
By A Rabbit's Foot
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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