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Film
Absence as presence in the cinema of Marguerite Duras
By
Cici Peng
A film lover's guide to
A romantic’s guide to summer love on screen
By
Emma Firth
Confessions
Nick Ashley: In Motorised Meditation
By
Luke Georgiades
Culture
Artists for Aid: Historical London concert calls for action in Gaza and Sudan
By
Luke Georgiades
Confessions
Erica Tremblay’s Fancy Dance is a gift of Native American filmmaking
By
Luke Georgiades
Editorial
A Rabbit’s Foot short film competition
By A Rabbit's Foot
Film
Modern dance: why we are living in the age of off-kilter choreography
By Alex Denney
Culture
The cinematic life of Harold Pinter
By
Natasha A. Fraser
Confessions
With Bye Bye Tiberias, Lina Soualem is taking back her family’s legacy
By Dalia Al-Dujaili | Creative direction and photography by Fatima Khan
Culture
Sunchaser: Rick Rubin on his Festival of the Sun
By
Chris Cotonou
Film
Agnieszka Holland: “We are changing Europe into some kind of fortress”
By
Lillian Crawford
Confessions
“We had Satan on speed-dial”: An Oral History of Drugstore Cowboy
By
Luke Georgiades
Culture
11 books film lovers should read this summer
By
Kitty Grady
Film
Jeanne Moreau and the new Femme Fatale
By
Kitty Grady
Art & Photography
Nadia Lee Cohen on tragedy, fiction and making her first film
By
Fatima Khan
Culture
Il Postino and the land of the capers
By
Amber Guinness
Confessions
Viggo Mortensen on why filmmaking is like publishing: “You have to remove parts unemotionally”
By
Chris Cotonou
Confessions
Why Richard Linklater is “always thinking in the eternal”
By
Luke Georgiades
Culture
Down and out with Ottessa Moshfegh
By Kitty Grady
Photography by Matias Indjic
Film
How Charles Vidor’s Gilda proclaimed the nightfall of noir
By
Peter Bradshaw
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N0.11 RIVIERA – 2025
LATEST
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Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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