Editorial

“By the second evening I find myself in a surreal situation; standing next to Swedish royalty as I stuff my face with canapés and pretend to find the art on display intriguing.” Lydia R. Figes reports from the 2024 Venice Biennale, finding herself entertained but also estranged from the art world she works in. 

Rosalind Jana explores 'Fashion Faux Parr', a new book devoted to Martin Parr's editorial and advertorial work. Whilst filled with his signature flair, she wonders if his best fashion photography lies beyond the pages of glossy magazines.

The playwright and novelist Justin Kuritzkes discusses his film debut Challengers, whose script was inspired by a moment between Serena Williams and Naomi Osaka at the 2018 US Open. He discusses erotic tension, reality TV and his adaptation of William S. Burrough's 'Queer,' Guadagnino's next project.

Lillian Crawford speaks to Katy O’Brian about her role as Jackie in Rose Glass's Neo-noir feature Love Lies Bleeding.’ Playing a bodybuilder who falls in love (and into crime) with Lou (Kristen Stewart), here she talks about how she got the part, transitioning into indie cinema from sci-fi roles and the film’s exposition of queer desire.

The beloved British actor talks Back To Black, Mitch Winehouse, and what he’s learnt about acting over his accomplished career.

The iconic British actor talks about his incredible career and legacy.

Lucca Hue-Williams talks to the Danish artist about his upcoming performance at Museum der Moderne Salzburg in July.

"A costume drama of the home." Emma Aars unravels the importance of interiors in Sofia Coppola's work, and explores how a palette of personal belongings has inflected film history, from Emerald Fennell to Éric Rohmer.

Director Thea Sharrock discusses the making of her latest feature.

Photographer Max Montgomery and Penny Lane shot an exclusive feature for A Rabbit's Foot's massive seventh issue.