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Confessions
Vive l’amour at 30: Tsai Ming-liang revisits his intoxicating masterpiece
By
Luke Georgiades
Review
Vermiglio review—an atmospheric tale of the mountains
By
Chris Cotonou
Review
Maria review—portrait of the artist as an older woman
By
Jenna Mahale
Confessions
Producer Alex Saks on It Ends With Us: “We don’t make a ton of movies anymore that elicit emotions like this.”
By
Luke Georgiades
Confessions
In Sing Sing, Clarence Maclin is tapping into his rawest self
By
Luke Georgiades
Art & Photography
Inside the sacred and profane world of Penny Slinger
By Young Kim
Confessions
Joachim Rønning: “Young Woman and the Sea [is] the movie I want for my daughters.”
By Sam Murphy
Film
The Last Samurai: in memory of Alain Delon
By Makis Papantoniou
Film
Venice 2024: 10 unmissable films playing this year
By A Rabbit's Foot
Film
Anurag Kashyap on Gangs of Wasseypur
By Anurag Kashyap
Art & Photography
Becoming Georgia O’Keeffe
By
Lucy Davies
Film
Happy 100th birthday, Sidney Lumet!
By PK Fellowes
Confessions
With Didi, Sean Wang is telling a new kind of coming-of-age story
By
Luke Georgiades
Culture
Kneecap: Three Irishmen, an Englishman and a work of fine art
By Kitty Grady & Anna Pierce | Photography by Macy Stewart
Film
Are we living in the age of single parent cinema?
By Miriam Balanescu
Culture
A postcard from Bergman Island
By
Katie Driscoll
Film
Hard-Boiled Rice: The Avant-Garde Noir of Seijun Suzuki
By
Luke Georgiades
Art & Photography
Through the lens of obsession: On Nobuyoshi Araki, Enrique Metinides and Weegee
By Michael Hoppen
Film
Levan Akin: “Earnestness is something I miss in film”
By
Kitty Grady
Film
Notes from the unrequited: Isabel Sandoval on Wong Kar-wai
By Isabel Sandoval
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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