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Playing in Competition at the 2024 Cannes Film Festival, The Girl with the Needle is a powerful and macabre tale that confirms Magnus von Horn as a major talent.
Agathe Riedinger's debut film, Wild Diamond—in competition at Cannes Film Festival—excavates social media culture, but despite its glittering premise, fails to live up to its potential.
Cannes Film Festival's inaugural film, The Second Act by Quentin Dupieux, is a film about a film which ultimately falls a bit flat, writes Andy Hazel.
The stars of Luna Carmoon's Hoard, Joseph Quinn and Saura Lightfoot-Leon talk sperm-sweat aftershave, Venice Film Festival and making films that feel nourishing.
The great writer-director Paul Schrader describes his upbringing, his fascination with metaphors and symbolism, his next feature, Oh, Canada (starring Jacob Elordi) and why cinema has become more prudish.
Part one of our guide to lesser known screening rooms to add to your cinematic pilgrimage.
The biggest film festival in the world is back with a typically impressive lineup.
We're excited to share an excerpt from A Toast to St Martirià, the new book from Pacifiction director Albert Serra, available for the first time in translated English.
New York: High Life / Low Life, a new monograph from Vanity Fair photographer Dafydd Jones, documents the optimism and opulence of the city and its celebrities in the last decade of the 20th century.
In Luca Guadagnino's Challengers, the sport becomes a vessel to explore a volatile, sexually charged love triangle, where every interaction has the ping-pong energy of an intense rally, says Iana Murray.
