Film

The biggest film festival in the world is back with a typically impressive lineup.

In Luca Guadagnino's Challengers, the sport becomes a vessel to explore a volatile, sexually charged love triangle, where every interaction has the ping-pong energy of an intense rally, says Iana Murray.

Lillian Crawford speaks to Katy O’Brian about her role as Jackie in Rose Glass's Neo-noir feature Love Lies Bleeding.’ Playing a bodybuilder who falls in love (and into crime) with Lou (Kristen Stewart), here she talks about how she got the part, transitioning into indie cinema from sci-fi roles and the film’s exposition of queer desire.

"A costume drama of the home." Emma Aars unravels the importance of interiors in Sofia Coppola's work, and explores how a palette of personal belongings has inflected film history, from Emerald Fennell to Éric Rohmer.

Director Thea Sharrock discusses the making of her latest feature.

Naturalistic teeth might not be the most obvious takeaway from Dune 2, Denis Villeneuve’s sci-fi epic, but for Haaniyah Angus, they were. Here, she explores cinema’s addiction to veneers and cosmetic surgery, asking what we might be losing as a result.

He was everyone's favourite Jazz heartthrob, but in life, Chet Baker was shrouded in mystery. We take a deep dive into the complex mythology of the musician.

Donna Deitch's slice of Queer Americana has become a cult classic. Below, Allegra Handelsman pens a thoughtful essay on the themes and legacy of the romantic drama.

Ever wished that Tilda Swinton would read you a bedtime story before bed? Here's your chance.

The cinematographer Benoît Delhomme discusses his directorial debut, Mother's Instinct, a psychological thriller set in the 1960s starring Jessica Chastain and Anne Hathaway. Featuring exclusive illustrations by Benoît Delhomme.