Film

Film

Alexander Karim on Gladiator II: “Working with Ridley Scott is like a game of poker”

By Luke Georgiades

Film

Italian inquisition: the unexpectedly modernist set design of Conclave

By Amy O’Brien

A film lover's guide to

A film lover’s guide to Valentine’s Day—whatever your relationship status

By Allegra Handelsman

Film

With The Fire Inside, Rachel Morrison is flipping the sports film on its head

By Luke Georgiades

Film

60 years later, Jean-Luc Godard’s ‘A Woman is A Woman’ still feels fresh

By Madeleine Wulfahrt

Film

Predicting the winners of the 2025 Oscars

By A Rabbit's Foot

Film

Chantal Akerman and the image of exile

Film

Nosferatu, Babygirl and the discourses of female desire

By Haaniyah Angus

Film

“The power of both”: A farewell to David Lynch

By Andy Hazel

Film

Why L.A. Story is a much-needed rewatch

By Hannah Benson

A film lover's guide to

don't look back

A film lover’s guide to Bob Dylan

By Luke Georgiades

Film

Can Pablo Larraín solve a problem like Maria?

By Lauren McQuistin

Film

The movies we are looking forward to in 2025

By A Rabbit's Foot

Film

Our editors select the 10 best film moments of 2024

By A Rabbit's Foot

Film

The fatal history of Robert Siodmak’s The Killers

By Natasha A. Fraser

Film

A dispatch from Marrakech Film Festival—part 2

By Chris Cotonou

Film

A dispatch from Marrakech Film Festival—part 1

By Chris Cotonou

Film

Lucila Safdie’s Wanda-inspired watchlist

By Lucila Safdie

A film lover's guide to

A film lover’s guide to fragrance

Film

What to expect from the 2024 Marrakech Film Festival

By Chris Cotonou

N0.10 The Word – 2025

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