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Film
Making the March on Rome
By Mark Cousins
Art & Photography
Inside The Marrakech Film Festival
By Chris Cotonou (words and photos)
Confessions
Sharmeen Obaid-Chinoy: Rebel With A Cause
By Fatima Khan
Film
The hidden politics of Fritz Lang’s Metropolis
By Allegra Handelsman
Film
The Opening Credits: How Poster Artwork Tells a Story of its Own
By Jonas Zieher
Film
Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen
By Nadia Awad
Art & Photography
Glenda Jackson: The Double Academy Award Winning Politician
By PK Fellowes
Film
The Square: Told Through the Lens of the Revolutionaries
By
Luke Georgiades
Art & Photography
Retuning T.S. Eliot’s Four Quartets
By P.K Fellowes
Style
Revolution For Sale: Branding the New Revolt
By Fatima Khan
Art & Photography
Screen Printing The Uprising: Inside Beirut’s Artistic Revolution
By Farah Fayyad
Film
On The Battle of Algiers’ Enduring Influence
By Mathew Modine
Confessions
Ken Loach: “I don’t agree you need a political cause to make a movie.”
By Jason Solomons
Art & Photography
Ai Weiwei: “Our pursuit of truth can only tell us who we are.”
By
Luke Georgiades
Art & Photography
William Kentridge: “What’s in the body, will tell you what’s being said.”
By Sam Murphy
Art & Photography
Sir Don McCullin: “I’ve seen the anatomy of humanity spilled out on roadways.”
By Charles Finch
Confessions
Will Sharpe: multi-hyphenate actor-director on surrendering to mystery in The White Lotus
By Sam Murphy
Confessions
The Enduring Legacy of Eve Arnold
By Michael Arnold [Images courtesy of Magnum Photos]
Art & Photography
An Ode to Beirut’s Red Knight, and Drinking Arak with Anthony Bourdain
By Ramsay Short
Film
Tom Cruise: Hollywood’s Last Action Hero
By
Luke Georgiades
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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