Editorial

Confessions

Saint Omer: Alice Diop Wants to Know What You See

By Chris Cotonou

Film

The Music Messiah: Reinaldo Marcus Green on Bob Marley

By Reinaldo Marcus Green

Confessions

Tahar Rahim, In His Own Words

By Words by Chris Cotonou / Images by Adrianna Aounn

Film

Inside The Marrakech Film Festival

By Chris Cotonou (words and photos)

Confessions

Sharmeen Obaid-Chinoy: Rebel With A Cause

By Fatima Khan

Film

The hidden politics of Fritz Lang’s Metropolis

By Allegra Handelsman

Film

The Opening Credits: How Poster Artwork Tells a Story of its Own

By Jonas Zieher

Film

Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen

By Nadia Awad

Art & Photography

Glenda Jackson: The Double Academy Award Winning Politician

By PK Fellowes

Film

The Square: Told Through the Lens of the Revolutionaries

By Luke Georgiades

Art & Photography

Retuning T.S. Eliot’s Four Quartets

By P.K Fellowes

Style

Revolution For Sale: Branding the New Revolt

By Fatima Khan

Art & Photography

Screen Printing The Uprising: Inside Beirut’s Artistic Revolution

By Farah Fayyad

Film

On The Battle of Algiers’ Enduring Influence

By Mathew Modine

Confessions

Ken Loach: “I don’t agree you need a political cause to make a movie.”

By Jason Solomons

Art & Photography

Ai Weiwei: “Our pursuit of truth can only tell us who we are.”

By Luke Georgiades

Art & Photography

William Kentridge: “What’s in the body, will tell you what’s being said.”

By Sam Murphy

Art & Photography

Sir Don McCullin: “I’ve seen the anatomy of humanity spilled out on roadways.”

By Charles Finch

N0.10 The Word – 2025

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Editorial

Saint Omer: Alice Diop Wants to Know What You See

The Music Messiah: Reinaldo Marcus Green on Bob Marley

Tahar Rahim, In His Own Words

Art to Provoke: Nadine Labaki

Making the March on Rome

Inside The Marrakech Film Festival

Sharmeen Obaid-Chinoy: Rebel With A Cause

The hidden politics of Fritz Lang’s Metropolis

The Opening Credits: How Poster Artwork Tells a Story of its Own

Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen

Glenda Jackson: The Double Academy Award Winning Politician

The Square: Told Through the Lens of the Revolutionaries

Retuning T.S. Eliot’s Four Quartets

Revolution For Sale: Branding the New Revolt

Screen Printing The Uprising: Inside Beirut’s Artistic Revolution

On The Battle of Algiers’ Enduring Influence

Ken Loach: “I don’t agree you need a political cause to make a movie.”

Ai Weiwei: “Our pursuit of truth can only tell us who we are.”

William Kentridge: “What’s in the body, will tell you what’s being said.”

Sir Don McCullin: “I’ve seen the anatomy of humanity spilled out on roadways.”

N0.10 The Word – 2025