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Confessions
London Film Festival ’23: Andrew Haigh on All of Us Strangers
By
Luke Georgiades
Art & Photography
Where to start with Frieze London
By Rachael Barrett
Film
The sixth sense of Ingmar Bergman
By
Natasha A. Fraser
Art & Photography
The magnificent world of Rose Wylie
By Lucy Davis
Photography by Fatima Khan | Creative Assistant Anna Pierce
Confessions
Shinya Tsukamoto on body horror’s new prestige era
By Josh Slater-Williams
Culture
Why are we obsessed with watching shows about work?
By Haaniyah Angus
Confessions
Bruce Robinson: “You want to go up to 70 mph. That’s where the madness happens”
By
Chris Cotonou
Film
The Substance and the critical self
By Laura Grace Simpkins
Editorial
Issue 9: The Senses—is here!
By
Charles Finch
Film
Why Brigitte Bardot stands the test of time
By
Natasha A. Fraser
Confessions
From Russia with Love: Sean Baker and Mikey Madison on Anora
By
Luke Georgiades
Confessions
Coralie Fargeat: “I give birth through my art”
By
Kitty Grady
Art & Photography
Descoverartists: A love affair with Hydra
By Adriana Aoun
Culture
Why can’t Christian Petzold adapt Georges Simenon?
By Tobias Grey
Review
Harvest review—a brutal and earthy tale
By
Chris Cotonou
Review
The Brutalist review—Brady Corbet’s architectural epic is poised for glory
By
Jenna Mahale
Film
Sweltering desire: a critic’s verdict on the 2024 Venice Film Festival
By Rafa Sales Ross
Review
Queer review—sex only sells in Guadagnino’s stylish adaptation
By
Jenna Mahale
Review
Happyend review—Neo Sora says the kids will be alright
By
Chris Cotonou
Review
The Room Next Door review—an understated upstairs downstairs
By
Jenna Mahale
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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