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La Pampa is a sensitive, spirited and quietly profound film that establishes Antoine Chevrollier as a promising filmmaker.
The Indian director talks to us about her Palme d'Or frontrunner and the first Indian film in 30 years to premiere in-competition at the Cannes Film Festival.
Sixth gen Chinese filmmaker Jia Zhangke repurposes his own archive imagery to create a moving tribute to his wife and muse Zhao Tao, all the while commenting on how China has changed over the years.
Mikey Madison lights up like a firework in Sean Baker’s Anora, in a performance that we’ll be talking about for years to come.
Ariane Labed's September Says—competing as part of Un Certain Regard—is a compelling debut feature from a director who should go on to greater things.
Coralie Fargeat's second feature is a Cronenbergian tale of fame and ageing. Despite it's exhilirating body horror, the film is hollow at its core, says Iana Murray.
Francis Ford Coppola's decades-long passion project, fails spectacularly—though it's not without meaning.
Lorcan Finnegan's splashy follow-up to Vivarium and Nocebo offers one of Nicolas Cage's best performances.
Jacques Audiard's subversive musical is deservedly pegged to win the Palme d’Or.
Yorgos Lanthimos's follow-up to Poor Things is a return to the Greek director's weird roots, says Anna Bogutskaya.
