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Film

Berlinale 2024: Julia von Heinz on Treasure – “Crying is the greatest gift” 

Hannah Ghorashi speaks to Julia von Heinz about 'Treasure', a feature about intergenerational trauma starring Stephen Fry and Lena Dunham.

Berlinale 2024: Janet Planet review – down-to-earth portrait of motherhood

Annie Baker's quiet debut feature explores the dynamics between a carefree mother and her questioning daughter.

Berlinale 2024: Love Lies Bleeding review – style, sex and steroids

Rose Glass's sophomore feature is destined for cult status, writes Matthew Turner

The Taste of Things review – a feast for the senses

Tran Anh Hung's food-focused romance is a sensitive and sensorial triumph.

If you’re a man: The Iron Claw, sport and masculinity in film

Sport has been used throughout film history both as an expression of masculinity and a concealer of vulnerability, argues Henry Roberts

Plastic fantastic: how Sarah Greenwood and Katie Spencer built Barbie Land

The Production Designer and Set Decorator of Greta Gerwig's 'Barbie' sit down with Kitty Grady to discuss how they brought the pink paradise to life.

A film lover’s guide to cocktails

Pair your next film with one of these tipples.

Death proof

Death Proof, and Quentin Tarantino’s Greatest Motor Moments

From Jackie Brown to Death Proof, Quentin Tarantino has been carving out his own automotive Mount Rushmore right under our noses.

Psychotically perfect: do TikTok beauty routines have their roots in cinema?

'Fit Checks' and 'Getting Ready With' videos are all over social media, but with their detached intimacy, are Noughties films like 'American Psycho,' 'The Devil Wears Prada' and 'Miss Congeniality' to blame?

Occupied City review – a moving archaeology of the Holocaust

Steve McQueen's 4-hour documentary about the Nazi Occupation of Amsterdam is demanding and formally simple, but not without great beauty.