Editorial

A film lover's guide to

A film lover’s guide to the zodiac

By Allegra Handelsman

Festival

Predicting the Winners of the 2024 Golden Globes

By Luke Georgiades

Film

Shaden Safieddine Tazi: Playing Tricks With Time

By Shaden Adela

Film

Nick Love: Because of my films, I’ve made lots of friends with gangsters

By Sam Murphy

Film

Poor Things Best of January

Every film we’re looking forward to in 2024

By A Rabbit's Foot

Film

Our editors select the 10 best film moments of 2023

By A Rabbit's Foot

Film

Wonka review – sweet like chocolate

By Chris Cotonou

Film

Pictures of Ghosts review – magical realism without the spark

By Sam Murphy

Film

Quadrophenia: Franc Roddam on his Seventies Mod Masterpiece

By Chris Cotonou

Film

What we learned at Marrakech Film Festival 2023

By Chris Cotonou

Confessions

Naomi Kawase’s next film is about “human evaporation”

By Luke Georgiades

Film

On death and stillness: Ridley Scott’s Thelma & Louise

Film

Sex, Longing, Angels, Ghosts: The Visual Legacy of Fallen Angels

By Luke Georgiades

Film

To Live & Die in L.A.

A Love Letter to To Live and Die in L.A.

By Chris Cotonou

Film

A Love Letter to William Friedkin’s Sorcerer

By Luke Georgiades

Film

The French Connection

A Love Letter to The French Connection

By Elena Lazic

Confessions

Emerald Fennell on Saltburn: “The more pathetic a character is, the closer they are to me”

By Chris Cotonou

Confessions

Paul Sng: “It’s always good to have a mystery that you don’t solve”

By Kitty Grady

Confessions

Catherine Hardwicke: “I made Twilight to help people love the planet”

By Natasha Jagger

Film

BIFA ’23 nominations highlight a great year for British Indies

By Luke Georgiades

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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