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Film
Film
Occupied City review – a moving archaeology of the Holocaust
By Kitty Grady
Film
Mean Girls (2024) review – stop trying to make it happen
By William Hosie
Culture
An intimate documentary explores the silencing of Shere Hite
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Film
Godzilla Minus One review – more human than monstrous
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A film lover's guide to
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Festival
Predicting the Winners of the 2024 Golden Globes
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Film
Shaden Safieddine Tazi: Playing Tricks With Time
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Nick Love: Because of my films, I’ve made lots of friends with gangsters
By Sam Murphy
Film
Every film we’re looking forward to in 2024
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Film
Our editors select the 10 best film moments of 2023
By A Rabbit's Foot
Film
Wonka review – sweet like chocolate
By Chris Cotonou
Film
Pictures of Ghosts review – magical realism without the spark
By Sam Murphy
Film
Quadrophenia: Franc Roddam on his Seventies Mod Masterpiece
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Film
What we learned at Marrakech Film Festival 2023
By Chris Cotonou
Confessions
Naomi Kawase’s next film is about “human evaporation”
By
Luke Georgiades
Film
On death and stillness: Ridley Scott’s Thelma & Louise
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Kitty Grady
Film
Sex, Longing, Angels, Ghosts: The Visual Legacy of Fallen Angels
By
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Film
A Love Letter to To Live and Die in L.A.
By Chris Cotonou
Film
A Love Letter to William Friedkin’s Sorcerer
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Film
A Love Letter to The French Connection
By Elena Lazic
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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