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Film

Cannes 2024: Megalopolis review—leap-of-faith cinema with a beating heart

Francis Ford Coppola's decades-long passion project, fails spectacularly—though it's not without meaning.

Cannes 2024: The Surfer review—a cult movie in the making 

Lorcan Finnegan's splashy follow-up to Vivarium and Nocebo offers one of Nicolas Cage's best performances.

Cannes 2024: Emilia Perez review—an edgy musical of style and substance

Jacques Audiard's subversive musical is deservedly pegged to win the Palme d’Or.

Cannes 2024: Kinds of Kindness review—a triptych of elevated weirdness

Yorgos Lanthimos's follow-up to Poor Things is a return to the Greek director's weird roots, says Anna Bogutskaya.

Cannes 2024: The Girl with the Needle review—a sumptuously grim fairytale

Playing in Competition at the 2024 Cannes Film Festival, The Girl with the Needle is a powerful and macabre tale that confirms Magnus von Horn as a major talent.

Cannes 2024: Wild Diamond review—a tale of girlhood under the influence

Agathe Riedinger's debut film, Wild Diamond—in competition at Cannes Film Festival—excavates social media culture, but despite its glittering premise, fails to live up to its potential.

Cannes 2024: The Second Act review—a soufflé of cinematic satire

Cannes Film Festival's inaugural film, The Second Act by Quentin Dupieux, is a film about a film which ultimately falls a bit flat, writes Andy Hazel.

Joseph Quinn Hoard

Blood, sweat and Hoard: an interview with Joseph Quinn and Saura Lightfoot-Leon

The stars of Luna Carmoon's Hoard, Joseph Quinn and Saura Lightfoot-Leon talk sperm-sweat aftershave, Venice Film Festival and making films that feel nourishing.

Oh, Paul Schrader

The great writer-director Paul Schrader describes his upbringing, his fascination with metaphors and symbolism, his next feature, Oh, Canada (starring Jacob Elordi) and why cinema has become more prudish.

Around the world in seven screens

Part one of our guide to lesser known screening rooms to add to your cinematic pilgrimage.