Film

Review

Hard Truths review—Mike Leigh’s return to London is a masterclass in grief

By Rafa Sales Ross

Film

London Film Festival ’24: Ten unmissable gems

By Luke Georgiades

Film

The sixth sense of Ingmar Bergman

By Natasha A. Fraser

Film

The Substance and the critical self

By Laura Grace Simpkins

Film

Why Brigitte Bardot stands the test of time

By Natasha A. Fraser

Review

Harvest review—a brutal and earthy tale

By Chris Cotonou

Review

The Brutalist review—Brady Corbet’s architectural epic is poised for glory

By Jenna Mahale

Film

Sweltering desire: a critic’s verdict on the 2024 Venice Film Festival

By Rafa Sales Ross

Review

Queer review—sex only sells in Guadagnino’s stylish adaptation

By Jenna Mahale

Review

Happyend review—Neo Sora says the kids will be alright

By Chris Cotonou

Review

The Room Next Door review—an understated upstairs downstairs

By Jenna Mahale

Review

Vermiglio review—an atmospheric tale of the mountains

By Chris Cotonou

Review

Maria review—portrait of the artist as an older woman

By Jenna Mahale

Film

The Last Samurai: in memory of Alain Delon

By Makis Papantoniou

Film

Venice 2024: 10 unmissable films playing this year

By A Rabbit's Foot

Film

Anurag Kashyap on Gangs of Wasseypur

By Anurag Kashyap

Film

Happy 100th birthday, Sidney Lumet!

By PK Fellowes

Film

Are we living in the age of single parent cinema?

By Miriam Balanescu

Film

Hard-Boiled Rice: The Avant-Garde Noir of Seijun Suzuki

By Luke Georgiades

Film

Levan Akin: “Earnestness is something I miss in film”

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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