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Film
A film lover's guide to
Review
Film
Benoît Delhomme on Mother’s Instinct: “I projected myself as an anxious father”
By
Kitty Grady
Film
Martial arts is a medium of emotion in Chui Mui Tan’s contribution to Miu Miu ‘Women’s Tales’
By
Luke Georgiades
Film
The birds still sing at Auschwitz: on Jonathan Glazer’s ‘The Zone of Interest’
By Lillian Crawford
Film
Dispatch from Galway: visiting the pub in The Banshees of Inisherin
By Sam Murphy
Film
The Box Man review – surreal drama with more than four-dimensions
By James Harding
Film
5 films to watch at BFI Flare 2024
By
Luke Georgiades
Film
Makeup artist Thomas Nellen on Jeff Bridges: “He is a very profound human being”
By
Luke Georgiades
Film
And the award goes to…8 moments of mischief and scandal at the Academy Awards
By Ben Croll
Film
Sisterhood, sensitivity and safe spaces: Kaouther Ben Hania’s Four Daughters
By Zoe Whitfield
Film
Wandering womb: the exquisite corpse of Bella Baxter
By
Kitty Grady
Film
How Shona Heath created the fantastically freaky world of Poor Things
By
Luke Georgiades
Film
Berlinale 2024: A Traveller’s Needs review – a quirky tale of translation
By Cici Peng
Film
Berlinale 2024: No Other Land review – weapons of violence and creation
By Cici Peng
Film
Berlinale 2024: Dahomey review – Africa blossoms, Europe fades
By Susan Finlay
Confessions
Berlinale 2024: Julia von Heinz on Treasure – “Crying is the greatest gift”
By Hannah Ghorashi
Film
Berlinale 2024: Janet Planet review – down-to-earth portrait of motherhood
By Matthew Turner
Film
Berlinale 2024: Love Lies Bleeding review – style, sex and steroids
By Matthew Turner
Film
The Taste of Things review – a feast for the senses
By Sam Murphy
Film
If you’re a man: The Iron Claw, sport and masculinity in film
By Henry Roberts
Film
Plastic fantastic: how Sarah Greenwood and Katie Spencer built Barbie Land
By Kitty Grady
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