Film

Review

Maria review—portrait of the artist as an older woman

By Jenna Mahale

Film

The Last Samurai: in memory of Alain Delon

By Makis Papantoniou

Film

Venice 2024: 10 unmissable films playing this year

By A Rabbit's Foot

Film

Anurag Kashyap on Gangs of Wasseypur

By Anurag Kashyap

Film

Happy 100th birthday, Sidney Lumet!

By PK Fellowes

Film

Are we living in the age of single parent cinema?

By Miriam Balanescu

Film

Hard-Boiled Rice: The Avant-Garde Noir of Seijun Suzuki

By Luke Georgiades

Film

Levan Akin: “Earnestness is something I miss in film”

Film

Notes from the unrequited: Isabel Sandoval on Wong Kar-wai

By Isabel Sandoval

Film

Absence as presence in the cinema of Marguerite Duras

A film lover's guide to

A romantic’s guide to summer love on screen

Film

Modern dance: why we are living in the age of off-kilter choreography

By Alex Denney

Film

Agnieszka Holland: “We are changing Europe into some kind of fortress”

By Lillian Crawford

Film

Jeanne Moreau and the new Femme Fatale

Confessions

Why Richard Linklater is “always thinking in the eternal”

By Luke Georgiades

Film

How Charles Vidor’s Gilda proclaimed the nightfall of noir

By Peter Bradshaw

Film

La Pampa review—queer motocross drama is a firehouse of emotions

By Issy Carr

Review

Caught By The Tides review—mesmerising slow-burn from one of China’s best living filmmakers

By Luke Georgiades

Film

Cannes 2024: Anora review—a star is born in Sean Baker’s blazing tale of excess

Film

Cannes 2024: September Says review—a wonderfully weird portrait of sisters

By Kitty Grady

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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