Join the A Rabbit's Foot Club!

Sign up for our newsletter and be the first to hear about exclusive offers, events & content.

SUBSCRIBE

Film

Cannes 2024: The Girl with the Needle review—a sumptuously grim fairytale

Playing in Competition at the 2024 Cannes Film Festival, The Girl with the Needle is a powerful and macabre tale that confirms Magnus von Horn as a major talent.

Cannes 2024: Wild Diamond review—a tale of girlhood under the influence

Agathe Riedinger's debut film, Wild Diamond—in competition at Cannes Film Festival—excavates social media culture, but despite its glittering premise, fails to live up to its potential.

Cannes 2024: The Second Act review—a soufflé of cinematic satire

Cannes Film Festival's inaugural film, The Second Act by Quentin Dupieux, is a film about a film which ultimately falls a bit flat, writes Andy Hazel.

Joseph Quinn Hoard

Blood, sweat and Hoard: an interview with Joseph Quinn and Saura Lightfoot-Leon

The stars of Luna Carmoon's Hoard, Joseph Quinn and Saura Lightfoot-Leon talk sperm-sweat aftershave, Venice Film Festival and making films that feel nourishing.

Oh, Paul Schrader

The great writer-director Paul Schrader describes his upbringing, his fascination with metaphors and symbolism, his next feature, Oh, Canada (starring Jacob Elordi) and why cinema has become more prudish.

Around the world in seven screens

Part one of our guide to lesser known screening rooms to add to your cinematic pilgrimage.

Cannes 2024: Seven unmissable films playing this year

The biggest film festival in the world is back with a typically impressive lineup.

In Challengers, of course tennis is a metaphor for sex

In Luca Guadagnino's Challengers, the sport becomes a vessel to explore a volatile, sexually charged love triangle, where every interaction has the ping-pong energy of an intense rally, says Iana Murray.

Love Lies Bleeding’s Katy O’Brian on bodybuilding, breakdowns and burning love

Lillian Crawford speaks to Katy O’Brian about her role as Jackie in Rose Glass's Neo-noir feature Love Lies Bleeding.’ Playing a bodybuilder who falls in love (and into crime) with Lou (Kristen Stewart), here she talks about how she got the part, transitioning into indie cinema from sci-fi roles and the film’s exposition of queer desire.

We need to talk about the carpets in Priscilla 

"A costume drama of the home." Emma Aars unravels the importance of interiors in Sofia Coppola's work, and explores how a palette of personal belongings has inflected film history, from Emerald Fennell to Éric Rohmer.