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Film
Film
Oppenheimer Review: Nolan’s Best Film Yet?
By
Luke Georgiades
Film
Settling the Barbenheimer War Once and For All
By Sam Murphy
Film
In Defence of Heartbreak: Eternal Sunshine of The Spotless Mind
By Nathalie Ryan
Film
Ira Sachs on Passages: “It’s a film without shame.”
By Allegra Handelsman
Film
Expressing Queerness: The cinema of Gregg Araki
By Ros Tibbs
Film
Man in Black — music in the face of trauma
By Sam Murphy
Film
Tribeca Festival: Five to Watch
By
Luke Georgiades
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Who Are You, Ms. Chantal Akerman?
By Makis Papantoniou
Film
Cannes 2023 Winners Roundup
By
Luke Georgiades
Film
What We Learnt From Cannes 2023
By A Rabbit's Foot
Film
Cannes ’23: La Chimera Review
By A Rabbit's Foot
Film
Cannes ’23: Monster Review
By
Luke Georgiades
Confessions
Ava DuVernay: “I believe in Destiny.”
By Nadia Khomami
Film
Sam Taylor-Johnson: “I can see by an eyelash movement whether the scene is going to work or not.”
By Charles Finch
Confessions
Marion Cotillard: “If we want the world to be better, we must start by looking at ourselves with love.”
By Richard Gianorio
Film
The Art of Selling Sex: The Erotic Film Poster
By
Luke Georgiades
Film
Love and Tragedy In The Realm of The Senses
By
Luke Georgiades
Film
A Love Letter to ‘Love Jones’
By Haaniyah Angus
Film
Cosmic Love in ‘Á bout de souffle’
By
Luke Georgiades
Film
The Temptations and Taboos of Luis Buñuel
By Chris Cotonou
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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