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Film

Poor Things Best of January

Every film we’re looking forward to in 2024

From big budget blockbusters to world cinema, we've rounded up the next twelve months of cinema to have on your radar.

Our editors select the 10 best film moments of 2023

From surprising Godfather jokes to unexpectedly nostalgic music choices, here are the moments from 2023 we'll remember.

Wonka review – sweet like chocolate

Starring Timothée Chalamet, Paul King's Roald Dahl remake is a whimsical festive treat

Pictures of Ghosts review – magical realism without the spark 

Brazilian auteur Kleber Mendonça Filho offers a sleepy memoir around his home and the cinematic history of Recife. 

Frank Roddam

Quadrophenia: Franc Roddam on his Seventies Mod Masterpiece

Across the UK to the globe, we explore the enduring legacy of Franc Roddam's 1979 sub-culture classic Quadrophenia.

What we learned at Marrakech Film Festival 2023

We reflect on an unusual, but exciting edition of the Arab world's biggest film festival.

Naomi Kawase’s next film is about “human evaporation”

At Marrakech Film Festival, the auteur talks about her commitment to reviving her hometown of Nara, as well as 'Johatsu,' a cultural phenomenon where people disappear without a trace.

On death and stillness: Ridley Scott’s Thelma & Louise

"What if we just kept driving?" Ridley Scott's 1991 road movie Thelma & Louise is best known for its final shot—a still of the eponymous heroines shooting over the Grand Canyon. A feminist classic celebrating life, love and friendship, as Kitty Grady explores, death and stillness are only ever just around the corner.

Fallen Angels

Sex, Longing, Angels, Ghosts: The Visual Legacy of Fallen Angels 

Wong Kar-wai’s hot-blooded portrait of Hong Kong melancholy is coded with the dissasociation of a generation. We take a deeper look at the master’s fifth film.

To Live & Die in L.A.

A Love Letter to To Live and Die in L.A.

To Live and Die in L.A. is Friedkin's sun-baked cult cop classic. Here, Chris Cotonou goes behind-the-scenes in the making of the film's car chase segment in which he arguably topped The French Connection.