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Editorial

Harvest review—a brutal and earthy tale

The Brutalist review—Brady Corbet’s architectural epic is poised for glory

Sweltering desire: a critic’s verdict on the 2024 Venice Film Festival

Queer review—sex only sells in Guadagnino’s stylish adaptation

Happyend review—Neo Sora says the kids will be alright

The Room Next Door review—an understated upstairs downstairs

Pedro Almódovar’s first English-language feature, starring Julianne Moore and Tilda Swinton as reunited friends, is a jewel-toned tale of medical autonomy. 

Vive l’amour at 30: Tsai Ming-liang revisits his intoxicating masterpiece

The Malaysian director's Golden Bear winning sophomore feature is as relevant now than it was in 1994.

Vermiglio review—an atmospheric Alpine pastoral

Maura Delporo's period feature set in a remote Italian village with a large cast of characters, has heart but not enough soul.

Maria review—portrait of the artist as an older woman

From Venice Film Festival, a first look at Pablo Larraín's biopic about the legendary opera singer Maria Callas, the third instalment in the director's unofficial trilogy of misunderstood icons of the 20th century.

Producer Alex Saks on It Ends With Us: “We don’t make a ton of movies anymore that elicit emotions like this.”