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Editorial
Film
Cannes ’23: Jeanne du Barry Review
By Andy Hazel
Festival
Cannes 2023: Our Essential Picks
By
Luke Georgiades
Film
Tropical Malady: On Mythos and Metamorphosis
By Alex Clark
Film
Beau Is Afraid is an anxiety attack run wild
By Hannah Ghorashi
Film
The Full Cannes Film Festival 2023 Lineup
By
Luke Georgiades
Film
Air (ball): Forgettable sports biopic gives Jordan the bench
By Alex Clark
Film
William Holden: The Accidental Activist
By Sam Murphy
Confessions
The Night of the 12th: Dominik Moll’s thriller gives murder a new edge
By
Luke Georgiades
Confessions
Rosalind Eleazar: “There’s something true about theatre.”
By Sam Murphy
Film
What’s Love Got To Do With it?: Jemima Khan debuts a fun and smart culture-clash rom-com
By Sam Murphy
Film
This Year’s Oscars saw the Academy Return to its Roots
By
Luke Georgiades
Confessions
John Trengove’s Manodrome takes aim at the Incel Phenomenon
By Allegra Handelsman
Film
POWER OF FILM: A Rabbit’s Foot Event Explores Love For The Moving Image
By A Rabbit's Foot
Film
Femininity Takes The Screen as Miu Miu Celebrate Their ‘Women’s Tales’
By
Luke Georgiades
Film
Skinamarink: where’d the meat go? A ‘horror’ stripped to its bare form
By Alex Clark
Film
Inside Charles Finch’s star-studded BAFTA party
By
Luke Georgiades
Confessions
Amma Asante’s World
By
Luke Georgiades
Confessions
A Journey of Doubt: Edward Berger on All Quiet on the Western Front
By Chris Cotonou
Film
Capturing Nan Goldin
By Sam Murphy
Confessions
“We Decided to Fight Back”: Saim Sadiq on Screening Joyland in Pakistan
By Fatima Khan
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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