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Editorial
Film
Settling the Barbenheimer War Once and For All
By Sam Murphy
Culture
Jane Birkin: The Eternal Romantic
By Issy Carr
Film
In Defence of Heartbreak: Eternal Sunshine of The Spotless Mind
By Nathalie Ryan
Confessions
Shea Whigham Is At the Top of His Game
By
Luke Georgiades
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The Writers Strike and AI: For The Sake of Humanity We Need Originality
By Sam Murphy
Confessions
Leslie Iwerks Talks 100 Years of Warner Bros.
By Chris Cotonou
Film
Ira Sachs on Passages: “It’s a film without shame.”
By Allegra Handelsman
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Expressing Queerness: The cinema of Gregg Araki
By Ros Tibbs
Confessions
Clara Cullen In Conversation
By Hannah Ghorashi
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Man in Black — music in the face of trauma
By Sam Murphy
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Tribeca Festival: Five to Watch
By
Luke Georgiades
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Who Are You, Ms. Chantal Akerman?
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Cannes 2023 Winners Roundup
By
Luke Georgiades
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What We Learnt From Cannes 2023
By A Rabbit's Foot
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Cannes ’23: La Chimera Review
By A Rabbit's Foot
Confessions
Francesca Scorsese is ready for her close-up
By Chris Cotonou | Photography by Luke Georgiades
Uncategorized
Cannes’ 23: Asteroid City Review
By Chris Cotonou
Film
Cannes ’23: Monster Review
By
Luke Georgiades
Culture
Film, Frogmen & Love: The Dark Novellas of Rachel Ingalls
By Genevieve Gaunt
Art & Photography
Somewhere Between the Spiritual Space: Antony Gormley
By A Rabbit's Foot
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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