Editorial

Film

POWER OF FILM: A Rabbit’s Foot Event Explores Love For The Moving Image

By A Rabbit's Foot

Film

Femininity Takes The Screen as Miu Miu Celebrate Their ‘Women’s Tales’

By Luke Georgiades

Film

Skinamarink: where’d the meat go? A ‘horror’ stripped to its bare form

By Alex Clark

Film

Inside Charles Finch’s star-studded BAFTA party

By Luke Georgiades

Confessions

A Journey of Doubt: Edward Berger on All Quiet on the Western Front

By Chris Cotonou

Film

“We Decided to Fight Back”: Saim Sadiq on Screening Joyland in Pakistan

By Fatima Khan

Confessions

Saint Omer: Alice Diop Wants to Know What You See

By Chris Cotonou

Film

The Music Messiah: Reinaldo Marcus Green on Bob Marley

By Reinaldo Marcus Green

Confessions

Tahar Rahim, In His Own Words

By Words by Chris Cotonou / Images by Adrianna Aounn

Film

Inside The Marrakech Film Festival

By Chris Cotonou (words and photos)

Confessions

Sharmeen Obaid-Chinoy: Rebel With A Cause

By Fatima Khan

Film

The hidden politics of Fritz Lang’s Metropolis

By Allegra Handelsman

Film

The Opening Credits: How Poster Artwork Tells a Story of its Own

By Jonas Zieher

Film

Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen

By Nadia Awad

Art & Photography

Glenda Jackson: The Double Academy Award Winning Politician

By PK Fellowes

Film

The Square: Told Through the Lens of the Revolutionaries

By Luke Georgiades

N0.10 The Word – 2025

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Editorial

POWER OF FILM: A Rabbit’s Foot Event Explores Love For The Moving Image

Femininity Takes The Screen as Miu Miu Celebrate Their ‘Women’s Tales’

Skinamarink: where’d the meat go? A ‘horror’ stripped to its bare form

Inside Charles Finch’s star-studded BAFTA party

Amma Asante’s World

A Journey of Doubt: Edward Berger on All Quiet on the Western Front

Capturing Nan Goldin

“We Decided to Fight Back”: Saim Sadiq on Screening Joyland in Pakistan

Saint Omer: Alice Diop Wants to Know What You See

The Music Messiah: Reinaldo Marcus Green on Bob Marley

Tahar Rahim, In His Own Words

Art to Provoke: Nadine Labaki

Making the March on Rome

Inside The Marrakech Film Festival

Sharmeen Obaid-Chinoy: Rebel With A Cause

The hidden politics of Fritz Lang’s Metropolis

The Opening Credits: How Poster Artwork Tells a Story of its Own

Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen

Glenda Jackson: The Double Academy Award Winning Politician

The Square: Told Through the Lens of the Revolutionaries

N0.10 The Word – 2025