Editorial

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Cannes ’23: Jeanne du Barry Review

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Festival

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William Holden: The Accidental Activist

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John Trengove’s Manodrome takes aim at the Incel Phenomenon

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Skinamarink: where’d the meat go? A ‘horror’ stripped to its bare form

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Confessions

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N0.10 The Word – 2025

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Editorial

Cannes ’23: Jeanne du Barry Review

Cannes 2023: Our Essential Picks

Tropical Malady: On Mythos and Metamorphosis

Beau Is Afraid is an anxiety attack run wild

The Full Cannes Film Festival 2023 Lineup

Air (ball): Forgettable sports biopic gives Jordan the bench

William Holden: The Accidental Activist

The Night of the 12th: Dominik Moll’s thriller gives murder a new edge

Rosalind Eleazar: “There’s something true about theatre.”

What’s Love Got To Do With it?: Jemima Khan debuts a fun and smart culture-clash rom-com

This Year’s Oscars saw the Academy Return to its Roots

John Trengove’s Manodrome takes aim at the Incel Phenomenon

POWER OF FILM: A Rabbit’s Foot Event Explores Love For The Moving Image

Femininity Takes The Screen as Miu Miu Celebrate Their ‘Women’s Tales’

Skinamarink: where’d the meat go? A ‘horror’ stripped to its bare form

Inside Charles Finch’s star-studded BAFTA party

Amma Asante’s World

A Journey of Doubt: Edward Berger on All Quiet on the Western Front

Capturing Nan Goldin

“We Decided to Fight Back”: Saim Sadiq on Screening Joyland in Pakistan

N0.10 The Word – 2025