Editorial

Film

If you’re a man: The Iron Claw, sport and masculinity in film

By Henry Roberts

Film

Plastic fantastic: how Sarah Greenwood and Katie Spencer built Barbie Land

By Kitty Grady

Culture

Ernest Cole’s photographs depict America at a turning point

By Lucy Davies

A film lover's guide to

A film lover’s guide to cocktails

By Sam Murphy

Film

Death Proof, and Quentin Tarantino’s Greatest Motor Moments

By Luke Georgiades

Culture

Tone Schunnesson: “Being an influencer is like being a footballer – both retire young”

By Emma Aars

Film

Psychotically perfect: do TikTok beauty routines have their roots in cinema?

By William Hosie

Film

Occupied City review – a moving archaeology of the Holocaust

By Kitty Grady

Confessions

Marcelino Sambé: “Dancers are complex creatures – we’re artists”

By Allegra Handelsman | Photography by Stanley Dunmore

Film

Mean Girls (2024) review – stop trying to make it happen

By William Hosie

Culture

An intimate documentary explores the silencing of Shere Hite

By Zoe Whitfield

Culture

The sublime experimentation of Gerhard Richter’s Alpine works

By Kitty Grady

Culture

Crossing the Square by Grace Shulman

By Grace Shulman

Film

Godzilla Minus One review – more human than monstrous

By Sam Murphy

A film lover's guide to

A film lover’s guide to the zodiac

By Allegra Handelsman

Festival

Predicting the Winners of the 2024 Golden Globes

By Luke Georgiades

Film

Shaden Safieddine Tazi: Playing Tricks With Time

By Shaden Adela

Film

Nick Love: Because of my films, I’ve made lots of friends with gangsters

By Sam Murphy

Film

Poor Things Best of January

Every film we’re looking forward to in 2024

By A Rabbit's Foot

Art & Photography

Amanda Tutschek: “I live a never ending dream inside my head.”

By A Rabbit's Foot

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Featuring: Isabelle Huppert, John Malkovich, Harris Dickinson, Celine Song, Emily Young, Warren Ellis, Rachel Kushner, Fernando Meirelles, Justin Kurzel, Frank Dillane

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