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Art & Photography
This photobook recalls the psychedelic world of Candy, Andy and the Bearandas
By Kitty Grady
Confessions
Naomi Kawase’s next film is about “human evaporation”
By
Luke Georgiades
Film
On death and stillness: Ridley Scott’s Thelma & Louise
By
Kitty Grady
Film
Sex, Longing, Angels, Ghosts: The Visual Legacy of Fallen Angels
By
Luke Georgiades
Confessions
Jeff Nichols: “There are aspects of masculinity that are very romantic and human”
By
Luke Georgiades
Confessions
Evil Does Not Exist is Ryusuke Hamaguchi’s biggest surprise yet
By
Luke Georgiades
Film
A Love Letter to To Live and Die in L.A.
By Chris Cotonou
Film
A Love Letter to William Friedkin’s Sorcerer
By
Luke Georgiades
Film
A Love Letter to The French Connection
By Elena Lazic
Confessions
Emerald Fennell on Saltburn: “The more pathetic a character is, the closer they are to me”
By Chris Cotonou
Culture Diary
A postcard from Marrakech Film Festival
By Chris Cotonou
Marrakech 23
Marrakech Film Festival 2023: 5 Moroccan Films on our Radar
By
Luke Georgiades
Culture Diary
Amber Guinness on the autumnal allure of truffles
By Amber Guinness
Confessions
Paul Sng: “It’s always good to have a mystery that you don’t solve”
By Kitty Grady
Confessions
Catherine Hardwicke: “I made Twilight to help people love the planet”
By Natasha Jagger
Uncategorized
Twilight at 15: An Interview With Catherine Hardwick
By
Film
BIFA ’23 nominations highlight a great year for British Indies
By Luke Georgiades
Culture
A Tower of Dreams: The LFF Expanded Exhibit
By Sam Murphy
Film
Kim Jee-woon: “In order to do film well…there’s this ordinary life that I’ve been avoiding.”
By Sam Murphy
LFF
The London Film Festival Winner’s Circle
By Luke Georgiades
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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