Editorial

Confessions

Todd Haynes: “There’s an excitement in destabilising audiences”

By Luke Georgiades

Art & Photography

Sheer luxury: Yves Saint Laurent and the art of transparency

By Lucy Davies

Confessions

Emily Blunt: “I want to play women who are bursting at the seams”

By Kitty Grady

Confessions

Kibwe Tavares on working with Daniel Kaluuya on The Kitchen

By Chris Cotonou

Film

Sisterhood, sensitivity and safe spaces: Kaouther Ben Hania’s Four Daughters

By Zoe Whitfield

Confessions

robbie robertson Martin scorsese

Martin Scorsese on Robbie Robertson: “Our bond was unbreakable”

By Chris Cotonou

Film

Wandering womb: the exquisite corpse of Bella Baxter

Film

How Shona Heath created the fantastically freaky world of Poor Things

By Luke Georgiades

Film

Berlinale 2024: A Traveller’s Needs review – a quirky tale of translation

By Cici Peng

Confessions

Cymande: on afterlife, resilience, and Getting It Back

By Alex Georgiades

Film

Berlinale 2024: No Other Land review – weapons of violence and creation

By Cici Peng

Film

Berlinale 2024: Dahomey review – Africa blossoms, Europe fades

By Susan Finlay

Confessions

Berlinale 2024: Julia von Heinz on Treasure – “Crying is the greatest gift”

By Hannah Ghorashi

Film

Berlinale 2024: Janet Planet review – down-to-earth portrait of motherhood

By Matthew Turner

Film

Berlinale 2024: Love Lies Bleeding review – style, sex and steroids

By Matthew Turner

Film

The Taste of Things review – a feast for the senses

By Sam Murphy

Culture

Poem of the month: One Hundred Love Sonnets: XVII By Pablo Neruda

By Pablo Neruda

Culture

A love letter to cinema’s quirkiest romantic confessions

By Emma Firth

Art & Photography

Jeff Wall: “Photography can only be done specifically – never in general”

Culture

Engines and emotions: 8 iconic film couples in cars

By Luke Georgiades

N0.12 SANCTUARY

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Featuring: Isabelle Huppert, John Malkovich, Harris Dickinson, Celine Song, Emily Young, Warren Ellis, Rachel Kushner, Fernando Meirelles, Justin Kurzel, Frank Dillane

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