Editorial

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On Karen Blixen: Dane, Countess, Stoic, Syphilitic, Storyteller

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A Journey Through Time: Adventures with Peter Frankopan

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Werner Herzog’s Fitcarraldo and the journey into darkness

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Confessions

“Making Sport White”: Paul Schrader on Taxi Driver

By Andy Hazel

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Rudolf Nureyev: An Artist is an Island

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The Inner Turmoil of Tennessee Williams

By Natasha A. Fraser

Confessions

Alicia Vikander: Roots, Rhythm and Process

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The Sound of Brazil: Renata Rosa on 20 Years of ‘Zunido Da Mata’

By Luke Georgiades

Confessions

The Common Journey: Henni Alftan

By A Rabbit's Foot

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Into the Dreamscape with Anna Biller

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The Divine Transcendence of Alice Coltrane

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The Search for Home: A Conversation with Davy Chou

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Celine Song: A Conversation on Space, Time and Past Lives

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Film

Venice ’23: ‘Priscilla’ Review

By Chris Cotonou

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A Conversation with Peter Weir on The Year of Living Dangerously

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Confessions

Alfonso Cuarón: “Impulse Is Where The Beauty Is”

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Venice ’23: ‘The Killer’ Review

By Luke Georgiades

N0.10 The Word – 2025

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Editorial

Snoh Aalegra: Nostalgia Trip

On Karen Blixen: Dane, Countess, Stoic, Syphilitic, Storyteller

A Journey Through Time: Adventures with Peter Frankopan

Werner Herzog’s Fitcarraldo and the journey into darkness

“Making Sport White”: Paul Schrader on Taxi Driver

The Golden Years of Amalfi

Rudolf Nureyev: An Artist is an Island

The Inner Turmoil of Tennessee Williams

Alicia Vikander: Roots, Rhythm and Process

The Sound of Brazil: Renata Rosa on 20 Years of ‘Zunido Da Mata’

The Common Journey: Henni Alftan

Into the Dreamscape with Anna Biller

The Divine Transcendence of Alice Coltrane

The Search for Home: A Conversation with Davy Chou

Wim Wenders: The Road Back

Celine Song: A Conversation on Space, Time and Past Lives

Venice ’23: ‘Priscilla’ Review

A Conversation with Peter Weir on The Year of Living Dangerously

Alfonso Cuarón: “Impulse Is Where The Beauty Is”

Venice ’23: ‘The Killer’ Review

N0.10 The Word – 2025