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Editorial
Culture
Tone Schunnesson: “Being an influencer is like being a footballer – both retire young”
By Emma Aars
Film
Psychotically perfect: do TikTok beauty routines have their roots in cinema?
By William Hosie
Film
Occupied City review – a moving archaeology of the Holocaust
By Kitty Grady
Confessions
Marcelino Sambé: “Dancers are complex creatures – we’re artists”
By Allegra Handelsman | Photography by Stanley Dunmore
Film
Mean Girls (2024) review – stop trying to make it happen
By William Hosie
Culture
An intimate documentary explores the silencing of Shere Hite
By Zoe Whitfield
Culture
The sublime experimentation of Gerhard Richter’s Alpine works
By Kitty Grady
Culture
Crossing the Square by Grace Shulman
By Grace Shulman
Film
Godzilla Minus One review – more human than monstrous
By Sam Murphy
A film lover's guide to
A film lover’s guide to the zodiac
By Allegra Handelsman
Festival
Predicting the Winners of the 2024 Golden Globes
By Luke Georgiades
Film
Shaden Safieddine Tazi: Playing Tricks With Time
By Shaden Adela
Film
Nick Love: Because of my films, I’ve made lots of friends with gangsters
By Sam Murphy
Film
Every film we’re looking forward to in 2024
By A Rabbit's Foot
Art & Photography
Amanda Tutschek: “I live a never ending dream inside my head.”
By A Rabbit's Foot
Confessions
Danny Lyon: “Rebels…are one of the saving graces of America.”
By Fatima Khan
Film
Our editors select the 10 best film moments of 2023
By A Rabbit's Foot
Confessions
Nia DaCosta: “For me, cinema is like church”
By
Luke Georgiades
Film
Wonka review – sweet like chocolate
By Chris Cotonou
Film
Pictures of Ghosts review – magical realism without the spark
By Sam Murphy
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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