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Film

Berlinale 2024: A Traveller’s Needs review – a quirky tale of translation 

Hong Sang Soo’s third film with Isabelle Huppert is a rhythmically structured drama that explores the performance and perambulations of the everyday. 

Berlinale 2024: No Other Land review – weapons of violence and creation

A collaboration between Basel Adra, Hamdan Ballal, Yuval Abraham and Rachel Szor, this urgent documentary about life on the West Bank explores the resistance of memory to obliteration.

Berlinale 2024: Dahomey review – Africa blossoms, Europe fades

Susan Finlay reviews Mati Diop’s ‘Dahomey’, a searching documentary about the repatriation of colonial artefacts to Africa. Watching from a controversial edition of Berlinale, she finds Germany's contemporary politics are brought to the fore.

Berlinale 2024: Julia von Heinz on Treasure – “Crying is the greatest gift” 

Hannah Ghorashi speaks to Julia von Heinz about 'Treasure', a feature about intergenerational trauma starring Stephen Fry and Lena Dunham.

Berlinale 2024: Janet Planet review – down-to-earth portrait of motherhood

Annie Baker's quiet debut feature explores the dynamics between a carefree mother and her questioning daughter.

Berlinale 2024: Love Lies Bleeding review – style, sex and steroids

Rose Glass's sophomore feature is destined for cult status, writes Matthew Turner

The Taste of Things review – a feast for the senses

Tran Anh Hung's food-focused romance is a sensitive and sensorial triumph.

If you’re a man: The Iron Claw, sport and masculinity in film

Sport has been used throughout film history both as an expression of masculinity and a concealer of vulnerability, argues Henry Roberts

Plastic fantastic: how Sarah Greenwood and Katie Spencer built Barbie Land

The Production Designer and Set Decorator of Greta Gerwig's 'Barbie' sit down with Kitty Grady to discuss how they brought the pink paradise to life.

A film lover’s guide to cocktails

Pair your next film with one of these tipples.