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Settling the Barbenheimer War Once and For All

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Ira Sachs on Passages: “It’s a film without shame.”

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Expressing Queerness: The cinema of Gregg Araki

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What We Learnt From Cannes 2023

By A Rabbit's Foot

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Ava DuVernay: “I believe in Destiny.”

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Sam Taylor-Johnson: “I can see by an eyelash movement whether the scene is going to work or not.”

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Confessions

Marion Cotillard: “If we want the world to be better, we must start by looking at ourselves with love.”

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The Art of Selling Sex: The Erotic Film Poster

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N0.10 The Word – 2025

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Film

Ludwig Göransson on Oppenheimer, in his own words

The Venice Film Festival 2023: The Full Lineup

Ravish Kumar: The Showman

Oppenheimer Review: Nolan’s Best Film Yet?

Settling the Barbenheimer War Once and For All

In Defence of Heartbreak: Eternal Sunshine of The Spotless Mind

Ira Sachs on Passages: “It’s a film without shame.”

Expressing Queerness: The cinema of Gregg Araki

Man in Black — music in the face of trauma

Tribeca Festival: Five to Watch

Who Are You, Ms. Chantal Akerman?

Cannes 2023 Winners Roundup

What We Learnt From Cannes 2023

Cannes ’23: La Chimera Review

Cannes ’23: Monster Review

Ava DuVernay: “I believe in Destiny.”

Sam Taylor-Johnson: “I can see by an eyelash movement whether the scene is going to work or not.”

Marion Cotillard: “If we want the world to be better, we must start by looking at ourselves with love.”

The Art of Selling Sex: The Erotic Film Poster

Love and Tragedy In The Realm of The Senses

N0.10 The Word – 2025