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Film
A film lover's guide to
Cannes 2025
Review
Film
The Music Messiah: Reinaldo Marcus Green on Bob Marley
By Reinaldo Marcus Green
Film
Art to Provoke: Nadine Labaki
By Chris Cotonou
Film
Making the March on Rome
By Mark Cousins
Art & Photography
Inside The Marrakech Film Festival
By Chris Cotonou (words and photos)
Film
The hidden politics of Fritz Lang’s Metropolis
By Allegra Handelsman
Film
The Opening Credits: How Poster Artwork Tells a Story of its Own
By Jonas Zieher
Film
Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen
By Nadia Awad
Art & Photography
Glenda Jackson: The Double Academy Award Winning Politician
By PK Fellowes
Film
The Square: Told Through the Lens of the Revolutionaries
By
Luke Georgiades
Art & Photography
Retuning T.S. Eliot’s Four Quartets
By P.K Fellowes
Film
On The Battle of Algiers’ Enduring Influence
By Mathew Modine
Film
Tom Cruise: Hollywood’s Last Action Hero
By
Luke Georgiades
Film
Winston Churchill at the Movies
By Andrew Roberts
Film
The Whale: Morbidly optimistic, Brendan Fraser’s comeback is hearstopping drama
By Sam Murphy
Film
Easy Rider and the Counterculture
By Peter Bradshaw
Film
Darren Aronofsky: “I was not aware how much love was in the world for Brendan [Fraser].”
By Chris Cotonou
Film
The fighting spirit of Jane Fonda
By Natasha A. Fraser
Film
Forget what you’ve heard: Babylon is the Oscar’s biggest snub yet
By
Luke Georgiades
Film
Holy Spider: Iranian Thriller Untangles a Delicate Web of Misogyny
By Sam Murphy
Film
M3gan: Campy Horror Meets the Zeitgeist in Newest Addition to the Killer-Doll Genre
By Alex Clark
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N0.11 RIVIERA – 2025
LATEST
ISSUE
Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel
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