Film

Femininity Takes The Screen as Miu Miu Celebrate Their ‘Women’s Tales’

By Luke Georgiades

Film

Skinamarink: where’d the meat go? A ‘horror’ stripped to its bare form

By Alex Clark

Film

Inside Charles Finch’s star-studded BAFTA party

By Luke Georgiades

Film

The Music Messiah: Reinaldo Marcus Green on Bob Marley

By Reinaldo Marcus Green

Film

Inside The Marrakech Film Festival

By Chris Cotonou (words and photos)

Film

The hidden politics of Fritz Lang’s Metropolis

By Allegra Handelsman

Film

The Opening Credits: How Poster Artwork Tells a Story of its Own

By Jonas Zieher

Film

Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen

By Nadia Awad

Art & Photography

Glenda Jackson: The Double Academy Award Winning Politician

By PK Fellowes

Film

The Square: Told Through the Lens of the Revolutionaries

By Luke Georgiades

Art & Photography

Retuning T.S. Eliot’s Four Quartets

By P.K Fellowes

Film

On The Battle of Algiers’ Enduring Influence

By Mathew Modine

Film

Tom Cruise: Hollywood’s Last Action Hero

By Luke Georgiades

Film

Winston Churchill at the Movies

By Andrew Roberts

Film

The Whale: Morbidly optimistic, Brendan Fraser’s comeback is hearstopping drama

By Sam Murphy

Film

Easy Rider and the Counterculture

By Peter Bradshaw

Film

Darren Aronofsky: “I was not aware how much love was in the world for Brendan [Fraser].”

By Chris Cotonou

N0.11 RIVIERA – 2025

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Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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Film

Femininity Takes The Screen as Miu Miu Celebrate Their ‘Women’s Tales’

Skinamarink: where’d the meat go? A ‘horror’ stripped to its bare form

Inside Charles Finch’s star-studded BAFTA party

Capturing Nan Goldin

The Music Messiah: Reinaldo Marcus Green on Bob Marley

Art to Provoke: Nadine Labaki

Making the March on Rome

Inside The Marrakech Film Festival

The hidden politics of Fritz Lang’s Metropolis

The Opening Credits: How Poster Artwork Tells a Story of its Own

Spike Lee, Malcolm X, and The Radicalism of Black Joy On-Screen

Glenda Jackson: The Double Academy Award Winning Politician

The Square: Told Through the Lens of the Revolutionaries

Retuning T.S. Eliot’s Four Quartets

On The Battle of Algiers’ Enduring Influence

Tom Cruise: Hollywood’s Last Action Hero

Winston Churchill at the Movies

The Whale: Morbidly optimistic, Brendan Fraser’s comeback is hearstopping drama

Easy Rider and the Counterculture

Darren Aronofsky: “I was not aware how much love was in the world for Brendan [Fraser].”

N0.11 RIVIERA – 2025