Confessions

If you’ve ever felt moved by Ryuichi Sakamoto’s music, then Opus is a film you’ll never want to end. A painfully intimate concert experience that doubles as a magnificent swan song for one of the most accomplished musicians of the last 50 years. As final breaths go, Opus is as triumphant as it gets.

'The Sweet East' portrays a young woman’s maiden voyage through American subcultures. Director and screenwriter Sean Price Williams and Nick Pinkerton discuss road movies, feline characters and creating bad-object movies.

Guillaume Francois talks to Christopher Sharp about his Oscar-nominated documentary 'Bobi Wine: The People's President'

Director and Founder of Albion Jeune, Lucca Hue-Williams sits down with the artist for an in-depth conversation, with original photography by Fatima Khan and videography by Matilda Montgomery.

We talk to the Canadian filmmaker about her Toronto-punk inspired latest feature, which premiered at the BFI Flare Film Festival last weekend.

We talk to Luna Carmoon about her festival hit Hoard, the state of British cinema, and her obsession with the macabre.

The acclaimed Japanese filmmaker Hirokazu Koreeda discusses his new film Monster, his obsession with life’s tiny details and why only Ryuichi Sakamoto could have written the film’s score.

"We played in our cricket whites underneath the Hollywood sign." Our Editor-in-Chief tells the story of how, as a Brit shipwrecked in Hollywood, he came to establish his iconic pre-Oscars party.

A Rabbit's Foot talks to Jeff Bridges about his favourite camera, the Widelux F8, working with Francis Ford Coppola, and the crossroads between photography and cinema.

Luke Georgiades sits down with the multi-hyphenate to discuss Poor Things, comedy, and the value in asking questions of the human condition, alongside original photography by A Rabbit's Foot creative director Fatima Khan and videography by Matilda Montgomery.