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Confessions

Doug Aitken: “The world I would like to live in is without silos or boundaries.”

Director and Founder of Albion Jeune, Lucca Hue-Williams sits down with the artist for an in-depth conversation, with original photography by Fatima Khan and videography by Matilda Montgomery.

Knox’s ‘We Forgot To Break Up’ is reinventing 2000s nostalgia-core

We talk to the Canadian filmmaker about her Toronto-punk inspired latest feature, which premiered at the BFI Flare Film Festival last weekend.

Luna Carmoon

Luna Carmoon: “Even when I was little I was always in touch with my shadow.”

We talk to Luna Carmoon about her festival hit Hoard, the state of British cinema, and her obsession with the macabre.

Hirokazu Koreeda: “What we don’t understand, we make into monsters”

The acclaimed Japanese filmmaker Hirokazu Koreeda discusses his new film Monster, his obsession with life’s tiny details and why only Ryuichi Sakamoto could have written the film’s score.

Cricket whites in California: how Charles Finch started the Oscar’s most glamorous party 

"We played in our cricket whites underneath the Hollywood sign." Our Editor-in-Chief tells the story of how, as a Brit shipwrecked in Hollywood, he came to establish his iconic pre-Oscars party.

Jeff Bridges on his decades-long love affair with photography

A Rabbit's Foot talks to Jeff Bridges about his favourite camera, the Widelux F8, working with Francis Ford Coppola, and the crossroads between photography and cinema.

Ramy Youssef: “The art I love asks beautiful questions of the human condition”

Luke Georgiades sits down with the multi-hyphenate to discuss Poor Things, comedy, and the value in asking questions of the human condition, alongside original photography by A Rabbit's Foot creative director Fatima Khan and videography by Matilda Montgomery.

Willem Dafoe Poor things

Willem Dafoe: “Acting is like being a colour in an artist’s palette.”

Chris Cotonou sits down with Willem Dafoe to talk about Poor Things, honing his craft, and the importance of yoga.

Todd Haynes

Todd Haynes: “There’s an excitement in destabilising audiences”

The director speaks to Luke Georgiades about his provocative drama May December, his long-standing working relationship with Julianne Moore, and the delight he takes in stumping audiences.

Emily Blunt: “I want to play women who are bursting at the seams”

Emily Blunt has a habit of stealing every scene she’s in, most recently as the female lead in Christopher Nolan’s historical drama Oppenheimer. Kitty Grady talks to the Oscar-nominated British actor about her process, parenting and upcoming plans.