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Cannes 2025

Die My Love review—Jennifer Lawrence triumphs in Lynne Ramsay’s marital psychodrama

By Christina Newland

Cannes 2025

Mission: Impossible — The Final Reckoning lives and dies by its legacy

By Luke Georgiades

Cannes 2025

One night in Cannes with Benicio Del Toro

By A Rabbit's Foot

With support from Marc Lotenberg, founder of DORSIA

Cannes 2025

Fish is a language: how Fred L’Écailler became a Cannes festival favourite

By Chris Cotonou

Cannes 2025

The Plague review—Lord of the Flies meets Water Lillies

Cannes 2025

A Human Story: in conversation with Benicio Del Toro

By Chris Cotonou

Cannes 2025

“I had to do his story justice”: Frank Dillane on belief systems, backache and becoming Harris Dickinson’s leading man

By Kitty Grady

Photography by Fatima Khan

Cannes 2025

Harris Dickinson on Urchin: “Directing has always been my first love”

By Kitty Grady

Photography by Fatima Khan

Short Stories

Inattentional Blindness

By Hayk Sarkissian

Culture

Pope idol: how cinema has shaped the modern papacy

By Maxime Toscan du Plantier

Confessions

Jenny Hval wants you to smell her new songs

Art & Photography

Doug Aitken: Lightscape and the Language of Now

By Lucca Hue-Williams and Fatima Khan

Confessions

Joan Chen and Kelly Marie Tran on coming out, motherhood and (maybe) sneaking gummies on set

By Luke Georgiades

Photography by Olivia Richardson

Confessions

“I am part of the fever”: Durga Chew-Bose on adapting Bonjour Tristesse

By Durga Chew-Bose | As told to Kitty Grady

Confessions

“I was in love with her”: Celeste Dalla Porta on becoming Parthenope

Confessions

Shunji Iwai on 30 years of filmmaking: “I’m still chasing after my younger self’s vision.”

By Luke Georgiades

Confessions

With abortion drama April, Dea Kulumbegashvili demands our attention

Culture

A new documentary captures Edna O’Brien behind the glamour

By Katie Driscoll

Film

Why have so few films been made by Black women?

By Haaniyah Angus

Film

Blood & Blues: how Sinners uses music to reflect the history of the oppressed

By Michaela Makusha

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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