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Kitty Grady

Kitty Grady is the digital editor of A Rabbit's Foot

Wandering womb: the exquisite corpse of Bella Baxter

Adapted for screen by Yorgos Lanthimos, Poor Things, Alasdair Gray’s 1992 steampunk novel, references La Salpêtrière, the famous hysteria hospital of late 19th century Paris. Does its heroine Bella Baxter, a 25 year-old woman with the brain of a baby, epitomise the notion of the ‘wandering womb’?

Cannes 2024: Emilia Perez review—an edgy musical of style and substance

Jacques Audiard's subversive musical is deservedly pegged to win the Palme d’Or.

Cannes 2024: September Says review—a wonderfully weird portrait of sisters

Ariane Labed's September Says—competing as part of Un Certain Regard—is a compelling debut feature from a director who should go on to greater things.

Emily Blunt: “I want to play women who are bursting at the seams”

Emily Blunt has a habit of stealing every scene she’s in, most recently as the female lead in Christopher Nolan’s historical drama Oppenheimer. Kitty Grady talks to the Oscar-nominated British actor about her process, parenting and upcoming plans.

Jeff Wall: “Photography can only be done specifically – never in general”

The Canadian photographer discusses Ingmar Bergman, the importance of truth to photography and why he doesn’t have to ‘hunt’ for pictures.

With The Sweet East, Sean Price Williams and Nick Pinkerton are declaring independence

'The Sweet East' portrays a young woman’s maiden voyage through American subcultures. Director and screenwriter Sean Price Williams and Nick Pinkerton discuss road movies, feline characters and creating bad-object movies.

On death and stillness: Ridley Scott’s Thelma & Louise

"What if we just kept driving?" Ridley Scott's 1991 road movie Thelma & Louise is best known for its final shot—a still of the eponymous heroines shooting over the Grand Canyon. A feminist classic celebrating life, love and friendship, as Kitty Grady explores, death and stillness are only ever just around the corner.

The sublime experimentation of Gerhard Richter’s Alpine works

An exhibition at Hauser & Wirth St. Mortiz explores the body of work Richter made during his winter and summer holidays to the Upper Engadin in Switzerland.