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Jenna Mahale

Cannes 2025
Cannes 2025

The Mastermind review—Josh O’Connor is a hangdog antihero in Reichardt’s subversive art heist movie
By Jenna Mahale
Cannes 2025
Cannes 2025

Resurrection review—Bi Gan’s love letter to cinema is a masterpiece 
By Jenna Mahale
Review
Review

The Brutalist review—Brady Corbet’s architectural epic is poised for glory
By Jenna Mahale
Review
Review

Queer review—sex only sells in Guadagnino’s stylish adaptation
By Jenna Mahale
Review
Review

The Room Next Door review—an understated upstairs downstairs

Pedro Almódovar’s first English-language feature, starring Julianne Moore and Tilda Swinton as reunited friends, is a jewel-toned tale of medical autonomy. 
By Jenna Mahale
Review
Review

Maria review—portrait of the artist as an older woman

From Venice Film Festival, a first look at Pablo Larraín’s biopic about the legendary opera singer Maria Callas, the third instalment in the director’s unofficial trilogy of misunderstood icons of the 20th century.

By Jenna Mahale