Film

Film

Venice ’23: ‘Ferrari’ Review

By Chris Cotonou

Film

Venice ’23: Reviews, News and Updates

By A Rabbit's Foot

Film

Ludwig Goransson

Ludwig Göransson on Oppenheimer, in his own words

By Luke Georgiades

Festival

Venice Film Festival

The Venice Film Festival 2023: The Full Lineup

By Luke Georgiades

Film

Ravish Kumar: The Showman

By Avanish Chandrasekaran

Film

Oppenheimer Review: Nolan’s Best Film Yet?

By Luke Georgiades

Film

Settling the Barbenheimer War Once and For All

By Sam Murphy

Film

Eternal sunshine of the spotless mind

In Defence of Heartbreak: Eternal Sunshine of The Spotless Mind

By Nathalie Ryan

Film

Ira Sachs on Passages: “It’s a film without shame.”

By Allegra Handelsman

Film

Gregg Araki Nowhere

Expressing Queerness: The cinema of Gregg Araki

By Ros Tibbs

Film

Man in Black — music in the face of trauma

By Sam Murphy

Film

Tribeca Festival: Five to Watch

By Luke Georgiades

Film

Who Are You, Ms. Chantal Akerman?

By Makis Papantoniou

Film

Cannes 2023 Winners Roundup

By Luke Georgiades

Film

What We Learnt From Cannes 2023

By A Rabbit's Foot

Film

Cannes ’23: La Chimera Review

By A Rabbit's Foot

Film

Monster Hirokazu Koreeda

Cannes ’23: Monster Review

By Luke Georgiades

Confessions

Ava DuVernay: “I believe in Destiny.”

By Nadia Khomami

Film

Sam Taylor-Johnson: “I can see by an eyelash movement whether the scene is going to work or not.”

By Charles Finch

Confessions

Marion Cotillard: “If we want the world to be better, we must start by looking at ourselves with love.”

By Richard Gianorio

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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