Editorial

Shinya Tsukamoto on body horror’s new prestige era

By Josh Slater-Williams

Why are we obsessed with watching shows about work?

By Haaniyah Angus

Bruce Robinson: “You want to go up to 70 mph. That’s where the madness happens”

By Chris Cotonou

The Substance and the critical self

By Laura Grace Simpkins

Issue 9: The Senses—is here!

By Charles Finch

Why Brigitte Bardot stands the test of time

By Natasha A. Fraser

From Russia with Love: Sean Baker and Mikey Madison on Anora

By Creative Direction by Fatima Khan, Interview by Luke Georgiades, Photography by Max Montgomery

Coralie Fargeat: “I give birth through my art”

Art & Photography

Art & Photography

Descoverartists: A love affair with Hydra

By Adriana Aoun

Why can’t Christian Petzold adapt Georges Simenon?

By Tobias Grey