Editorial

Master filmmaker Michael Mann speaks about Ferrari, Heat 2, and how his Chicago roots shaped his meticulously-crafted body of work.

We reflect on an unusual, but exciting edition of the Arab world's biggest film festival.

Our Editor-in-Chief, Charles Finch, introduces issue 6

From Thunderbirds creator Gerry Anderson, Candy and Andy was a short-lived comic book combining quintessential Englishness with 1960s experimentation

At Marrakech Film Festival, the auteur talks about her commitment to reviving her hometown of Nara, as well as 'Johatsu,' a cultural phenomenon where people disappear without a trace.

"What if we just kept driving?" Ridley Scott's 1991 road movie Thelma & Louise is best known for its final shot—a still of the eponymous heroines shooting over the Grand Canyon. A feminist classic celebrating life, love and friendship, as Kitty Grady explores, death and stillness are only ever just around the corner.

Wong Kar-wai’s hot-blooded portrait of Hong Kong melancholy is coded with the dissasociation of a generation. We take a deeper look at the master’s fifth film.

The director talks about the dangerous truth at the core of radicalism, the beautiful tension in masculinity, and his singular interpretation of The Bikeriders.

We sit down with the Japanese filmmaker to discuss his hypnotic latest feature.

To Live and Die in L.A. is Friedkin's sun-baked cult cop classic. Here, Chris Cotonou goes behind-the-scenes in the making of the film's car chase segment in which he arguably topped The French Connection.