Editorial

Pope idol: how cinema has shaped the modern papacy

By Maxime Toscan du Plantier

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Jenny Hval wants you to smell her new songs

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Doug Aitken: Lightscape and the Language of Now

By Lucca Hue-Williams and Fatima Khan

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Joan Chen and Kelly Marie Tran on coming out, motherhood and (maybe) sneaking gummies on set

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“I am part of the fever”: Durga Chew-Bose on adapting Bonjour Tristesse

By Durga Chew-Bose | As told to Kitty Grady

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“I was in love with her”: Celeste Dalla Porta on becoming Parthenope

By Kitty Grady

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Shunji Iwai on 30 years of filmmaking: “I’m still chasing after my younger self’s vision.”

By Luke Georgiades

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With abortion drama April, Dea Kulumbegashvili demands our attention

By Kitty Grady

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A new documentary captures Edna O’Brien behind the glamour

By Katie Driscoll

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Why have so few films been made by Black women?

By Haaniyah Awale Angus

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Blood & Blues: how Sinners uses music to reflect the history of the oppressed

By Michaela Makusha

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Helen Frankenthaler’s lyrical dance with paint

By Lydia R. Figes

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In search of Maria Plyta, the first female Greek director

By Marina Zigneli

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With Grand Tour, Miguel Gomes takes the travelogue in new directions

By Lillian Crawford

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The Gospel according to Efthimis Filippou

By Efthimis Filipou

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A film lover’s guide to Greece—beyond the weird wave

By Luke Georgiades

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Cannes 2025: 10 unmissable films playing this year

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Salone Diary: a dispatch from Milan’s design Olympics

By A RABBIT'S FOOT

No. 15: SCI-FI

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Featuring: Alejando Jodorowski, George Lucas on Star Wars, Ursula K Le Guin, The History of Japanese Mecha, David Hockney Speaks, At Home with Terry Gilliam, Metal Hurtlant Madness, Fembots Attack!, Andrei Tarkovsky's Future, Siri Hustvedt's Ghosts, Meeting Meredith Whittaker and... Sci-fi books to know now

Editorial

Pope idol: how cinema has shaped the modern papacy

Jenny Hval wants you to smell her new songs

Doug Aitken: Lightscape and the Language of Now

Joan Chen and Kelly Marie Tran on coming out, motherhood and (maybe) sneaking gummies on set

“I am part of the fever”: Durga Chew-Bose on adapting Bonjour Tristesse

“I was in love with her”: Celeste Dalla Porta on becoming Parthenope

Shunji Iwai on 30 years of filmmaking: “I’m still chasing after my younger self’s vision.”

With abortion drama April, Dea Kulumbegashvili demands our attention

A new documentary captures Edna O’Brien behind the glamour

Why have so few films been made by Black women?

Blood & Blues: how Sinners uses music to reflect the history of the oppressed

Helen Frankenthaler’s lyrical dance with paint

In search of Maria Plyta, the first female Greek director

Ariane’s Thread

With Grand Tour, Miguel Gomes takes the travelogue in new directions

The Gospel according to Efthimis Filippou

A film lover’s guide to Greece—beyond the weird wave

The New Athenians

Cannes 2025: 10 unmissable films playing this year

Salone Diary: a dispatch from Milan’s design Olympics

No. 15: SCI-FI