Editorial

Culture

Sunchaser: Rick Rubin on his Festival of the Sun

By Chris Cotonou

Film

Agnieszka Holland: “We are changing Europe into some kind of fortress”

By Lillian Crawford

Confessions

Drugstore cowboy its

“We had Satan on speed-dial”: An Oral History of Drugstore Cowboy

By Luke Georgiades

Culture

11 books film lovers should read this summer

Film

Jeanne Moreau and the new Femme Fatale

Art & Photography

Nadia Lee Cohen on tragedy, fiction and making her first film

Culture

Il Postino and the land of the capers

By Amber Guinness

Confessions

Viggo Mortensen on why filmmaking is like publishing: “You have to remove parts unemotionally”

By Chris Cotonou

Confessions

Why Richard Linklater is “always thinking in the eternal”

By Luke Georgiades

Culture

Down and out with Ottessa Moshfegh

By Kitty Grady

Film

How Charles Vidor’s Gilda proclaimed the nightfall of noir

By Peter Bradshaw

Confessions

Jane Schoenbrun: “I spent my childhood hiding in screens”

By Matthew Turner

Culture

Ilaria Bernardini: “The existential metaphor is in the whole of botany”

By Sara-Ella Ozbek

Editorial

Our Editor-in-Chief Charles Finch introduces issue 8

By Charles Finch

Film

La Pampa review—queer motocross drama is a firehouse of emotions

By Issy Carr

Confessions

Payal Kapadia interview: “Making films about women isn’t a choice—It’s what I need to do”

By Luke Georgiades

Review

Caught By The Tides review—mesmerising slow-burn from one of China’s best living filmmakers

By Luke Georgiades

Film

Cannes 2024: Anora review—a star is born in Sean Baker’s blazing tale of excess

Film

Cannes 2024: September Says review—a wonderfully weird portrait of sisters

By Kitty Grady

Film

Cannes 2024: The Substance review—a twisted symphony of blood, guts and breasts

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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