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Film
Berlinale 2024: Love Lies Bleeding review – style, sex and steroids
By Matthew Turner
Film
The Taste of Things review – a feast for the senses
By Sam Murphy
Culture
Poem of the month: One Hundred Love Sonnets: XVII By Pablo Neruda
By Pablo Neruda
Culture
A love letter to cinema’s quirkiest romantic confessions
By Emma Firth
Art & Photography
Jeff Wall: “Photography can only be done specifically – never in general”
By
Kitty Grady
Culture
Engines and emotions: 8 iconic film couples in cars
By
Luke Georgiades
Film
If you’re a man: The Iron Claw, sport and masculinity in film
By Henry Roberts
Film
Plastic fantastic: how Sarah Greenwood and Katie Spencer built Barbie Land
By Kitty Grady
Culture
Ernest Cole’s photographs depict America at a turning point
By Lucy Davies
A film lover's guide to
A film lover’s guide to cocktails
By Sam Murphy
Film
Death Proof, and Quentin Tarantino’s Greatest Motor Moments
By
Luke Georgiades
Culture
Tone Schunnesson: “Being an influencer is like being a footballer – both retire young”
By Emma Aars
Film
Psychotically perfect: do TikTok beauty routines have their roots in cinema?
By William Hosie
Film
Occupied City review – a moving archaeology of the Holocaust
By Kitty Grady
Confessions
Marcelino Sambé: “Dancers are complex creatures – we’re artists”
By Allegra Handelsman | Photography by Stanley Dunmore
Film
Mean Girls (2024) review – stop trying to make it happen
By William Hosie
Culture
An intimate documentary explores the silencing of Shere Hite
By Zoe Whitfield
Culture
The sublime experimentation of Gerhard Richter’s Alpine works
By Kitty Grady
Culture
Crossing the Square by Grace Shulman
By Grace Shulman
Film
Godzilla Minus One review – more human than monstrous
By Sam Murphy
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