Film

Confessions

Laura Carreira on her Chantal Akerman-inspired feature ‘On Falling’

Film

The tradwife politics of Mickey-17

By Haaniyah Awale Angus

Confessions

Oleksiy Radynski documents the secret life of Russian soldiers

A film lover's guide to

A film lover’s guide to Ireland

Film

A camera and a coma: On Edward Yang’s Yi Yi

By Madeleine Wulfahrt

Film

On Buck and The Preacher: How Sidney Poitier made a career conquering mountains

By Luke Georgiades

Film

Revolutionary Desires: The new book putting power to the on-screen sex scene

By Xuanlin Tham

Film

What do awards ceremonies mean today?

By Allegra Handelsman

Editorial

The winners of our short film competition—revealed

By A Rabbit's Foot

Film

Alexander Karim on Gladiator II: “Working with Ridley Scott is like a game of poker”

By Luke Georgiades

Film

Italian inquisition: the unexpectedly modernist set design of Conclave

By Amy O’Brien

A film lover's guide to

A film lover’s guide to Valentine’s Day—whatever your relationship status

By Allegra Handelsman

Film

With The Fire Inside, Rachel Morrison is flipping the sports film on its head

By Luke Georgiades

Film

60 years later, Jean-Luc Godard’s ‘A Woman is A Woman’ still feels fresh

By Madeleine Wulfahrt

Film

Predicting the winners of the 2025 Oscars

By A Rabbit's Foot

Film

Chantal Akerman and the image of exile

Film

Nosferatu, Babygirl and the discourses of female desire

By Haaniyah Awale Angus

Film

“The power of both”: A farewell to David Lynch

By Andy Hazel

Film

Why L.A. Story is a much-needed rewatch

By Hannah Benson

A film lover's guide to

don't look back

A film lover’s guide to Bob Dylan

By Luke Georgiades

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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