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Film
A film lover's guide to
Review
Film
Cannes 2024: The Substance review—a twisted symphony of blood, guts and breasts
By
Iana Murray
Film
Cannes 2024: Megalopolis review—leap-of-faith cinema with a beating heart
By
Luke Georgiades
Film
Cannes 2024: The Surfer review—a cult movie in the making
By Matthew Turner
Film
Cannes 2024: Emilia Perez review—an edgy musical of style and substance
By
Kitty Grady
Film
Cannes 2024: Kinds of Kindness review—a triptych of elevated weirdness
By Anna Bogutskaya
Film
Cannes 2024: The Girl with the Needle review—a sumptuously grim fairytale
By Matthew Turner
Film
Cannes 2024: Wild Diamond review—a tale of girlhood under the influence
By
Iana Murray
Film
Cannes 2024: The Second Act review—a soufflé of cinematic satire
By Andy Hazel
Confessions
Blood, sweat and Hoard: an interview with Joseph Quinn and Saura Lightfoot-Leon
By
Luke Georgiades
Film
Oh, Paul Schrader
By Chris Cotonou
Film
Around the world in seven screens
By A Rabbit's Foot
Film
Cannes 2024: Seven unmissable films playing this year
By
Luke Georgiades
Film
In Challengers, of course tennis is a metaphor for sex
By Iana Murray
Film
Love Lies Bleeding’s Katy O’Brian on bodybuilding, breakdowns and burning love
By Lillian Crawford
Film
We need to talk about the carpets in Priscilla
By Emma Aars
Film
Thea Sharrock: Wicked Little Letters isn’t a political piece
By
Luke Georgiades
Film
Humanity erased: are veneers ruining Hollywood?
By Haaniyah Angus
Film
How Chet Baker became the James Dean of jazz
By
Luke Georgiades
Film
How Desert Hearts used the Western to pioneer a new vision for queer film
By Allegra Handelsman
Film
Ramy Youssef tour tickets and Tilda Swinton bedtime story among prizes at upcoming ‘Cinema For Gaza’ auction
By
Luke Georgiades
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