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Film

Tom Holkenborg on building character and culture into his Furiosa score

The composer discusses how he created the soaring but sensitive sonic world of Furiosa, the second installment in George Miller’s Mad Max franchise.

La Pampa review—queer motocross drama is a firehouse of emotions

La Pampa is a sensitive, spirited and quietly profound film that establishes Antoine Chevrollier as a promising filmmaker.

Caught By The Tides review—mesmerising slow-burn from one of China’s best living filmmakers

Sixth gen Chinese filmmaker Jia Zhangke repurposes his own archive imagery to create a moving tribute to his wife and muse Zhao Tao, all the while commenting on how China has changed over the years.

Cannes 2024: Anora review—a star is born in Sean Baker’s blazing tale of excess

Mikey Madison lights up like a firework in Sean Baker’s Anora, in a performance that we’ll be talking about for years to come. 

Cannes 2024: September Says review—a wonderfully weird portrait of sisters

Ariane Labed's September Says—competing as part of Un Certain Regard—is a compelling debut feature from a director who should go on to greater things.

Cannes 2024: The Substance review—a twisted symphony of blood, guts and breasts

Coralie Fargeat's second feature is a Cronenbergian tale of fame and ageing. Despite it's exhilirating body horror, the film is hollow at its core, says Iana Murray.

Cannes 2024: Megalopolis review—leap-of-faith cinema with a beating heart

Francis Ford Coppola's decades-long passion project, fails spectacularly—though it's not without meaning.

Cannes 2024: The Surfer review—a cult movie in the making 

Lorcan Finnegan's splashy follow-up to Vivarium and Nocebo offers one of Nicolas Cage's best performances.

Cannes 2024: Emilia Perez review—an edgy musical of style and substance

Jacques Audiard's subversive musical is deservedly pegged to win the Palme d’Or.

Cannes 2024: Kinds of Kindness review—a triptych of elevated weirdness

Yorgos Lanthimos's follow-up to Poor Things is a return to the Greek director's weird roots, says Anna Bogutskaya.