Film

Film

Are we living in the age of single parent cinema?

By Miriam Balanescu

Film

Hard-Boiled Rice: The Avant-Garde Noir of Seijun Suzuki

By Luke Georgiades

Film

Levan Akin: “Earnestness is something I miss in film”

Film

Notes from the unrequited: Isabel Sandoval on Wong Kar-wai

By Isabel Sandoval

Film

Absence as presence in the cinema of Marguerite Duras

A film lover's guide to

A romantic’s guide to summer love on screen

Film

Modern dance: why we are living in the age of off-kilter choreography

By Alex Denney

Film

Agnieszka Holland: “We are changing Europe into some kind of fortress”

By Lillian Crawford

Film

Jeanne Moreau and the new Femme Fatale

Confessions

Why Richard Linklater is “always thinking in the eternal”

By Luke Georgiades

Film

How Charles Vidor’s Gilda proclaimed the nightfall of noir

By Peter Bradshaw

Film

La Pampa review—queer motocross drama is a firehouse of emotions

By Issy Carr

Review

Caught By The Tides review—mesmerising slow-burn from one of China’s best living filmmakers

By Luke Georgiades

Film

Cannes 2024: Anora review—a star is born in Sean Baker’s blazing tale of excess

Film

Cannes 2024: September Says review—a wonderfully weird portrait of sisters

By Kitty Grady

Film

Cannes 2024: The Substance review—a twisted symphony of blood, guts and breasts

Film

Cannes 2024: Megalopolis review—leap-of-faith cinema with a beating heart

By Luke Georgiades

Film

Cannes 2024: The Surfer review—a cult movie in the making

By Matthew Turner

Film

Cannes 2024: Emilia Perez review—an edgy musical of style and substance

Film

Oh, Paul Schrader

N0.10 The Word – 2025

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Featuring: Adrien Brody, Jeremy O Harris, Judi Dench, Denis Villeneuve, David Hare, Jacques Audiard, Steve McQueen, Brady Corbet, Felicity Jones, Harriet Walter, Halina Reijn, Edward Berger, Asako Yuzuki, Efthimis Filippou, Elyanna

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