Film

Film

Lucila Safdie’s Wanda-inspired watchlist

By Lucila Safdie

A film lover's guide to

A film lover’s guide to fragrance

Film

What to expect from the 2024 Marrakech Film Festival

By Chris Cotonou

A film lover's guide to

A film lover’s guide to food movies

By A Rabbit's Foot

Film

The creaturely universe of Andrea Arnold

By Hannah Parlett

Review

The Seed of the Sacred Fig review—a timely thriller on the oppressive nature of theocracy

By Avanish Chandrasekaran

Review

2073 review—Chris Marker’s La Jetée updated for a society of surveillance

By Avanish Chandrasekaran

Film

Tampopo sex scene

The Tampopo guide to eating ramen

By Luke Georgiades

Film

Life as art: Kim Min-hee in the films of Hong Sang-soo

Review

Conclave review—papal thriller elects Edward Berger as one of our greatest directors

By Chris Cotonou

Review

Hard Truths review—Mike Leigh’s return to London is a masterclass in grief

By Rafa Sales Ross

Film

London Film Festival ’24: Ten unmissable gems

By Luke Georgiades

Film

The sixth sense of Ingmar Bergman

By Natasha A. Fraser

Film

The Substance and the critical self

By Laura Grace Simpkins

Film

Why Brigitte Bardot stands the test of time

By Natasha A. Fraser

Review

Harvest review—a brutal and earthy tale

By Chris Cotonou

Review

The Brutalist review—Brady Corbet’s architectural epic is poised for glory

By Jenna Mahale

Film

Sweltering desire: a critic’s verdict on the 2024 Venice Film Festival

By Rafa Sales Ross

Review

Queer review—sex only sells in Guadagnino’s stylish adaptation

By Jenna Mahale

Review

Happyend review—Neo Sora says the kids will be alright

By Chris Cotonou

N0.11 RIVIERA – 2025

LATEST
ISSUE

Featuring: Benicio Del Toro, Durga Chew-Bose on revisiting Bonjour Tristesse, Amanda Lear on Dalì, Ariane Labed in Athens, Derek Ridgers Cannes Confidential, Akila Berjaoui's Summer, Camus in Algeria, Sailing with Sam Spiegel

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