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Confessions

Nick Hamm on his William Tell epic: “I wanted it to be like The Sound of Music with violence.”

The director sits down with Deputy Editor Chris Cotonou to discuss the makings of a great anti-hero, capturing the Swiss Alps on film, and how he brought his historical epic to the big screen.

Vermiglio director Maura Delpero: “I need to begin from the ground, from reality” 

Usman Riaz on The Glassworker, Pakistan’s first hand-drawn animated film

Usman Riaz talks his debut feature The Glassworker, creating Pakistan’s first animation studio and his visit to Studio Ghibli in Japan.

“I live like a nun”: Director Halina Reijn on Babygirl

Babygirl opens with an orgasm, but it is by no means the film’s climax. Kitty Grady speaks to the film’s writer and director, Halina Reijn, about working with Nicole Kidman, breaking America, and the beast inside of us all.

A still from The Sun Sets on Beirut (dir. Daniela Stephan).

Daniela Stephan on The Sun Sets on Beirut: “Lebanese cinema is proof of our existence.”

The Lebanese filmmaker sat down with A RABBIT'S FOOT to discuss coming-of-age in Lebanon, how different traumas breed different perspectives between generations, and The Sun Sets on Beirut, which remains as urgent a film as you could hope to come across this year.

Denis Villeneuve dreams of movies

Denis Villeneuve has conquered Hollywood. But within his artist’s temperament is a desire to do things differently, everytime, and embolden his experience with new risks. Here, he shares his vision of cinema, and speaks honestly about the power of dreams.

A symphony of shadows: Robert Eggers and his cast shed light on their new Nosferatu

Joan Chen on Twin Peaks, motherhood, and finding new acclaim with Didi

Actress Joan Chen began her career in China in the late 1970s. After over 40 years in television and cinema, she is receiving her most rapturous reviews of her career.

Guy Maddin wants you to find yourself in the movies

The acclaimed Canadian filmmaker talks new film Rumours, Chat GPT, and alienating audiences with co-directors Evan Johnson and Galen Johnson.

Jesse Eisenberg: “It’s possible to be a human being while also exploring places of great tragedy”