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Cannes 2024 coverage

La Pampa review—queer motocross drama is a firehouse of emotions

La Pampa is a sensitive, spirited and quietly profound film that establishes Antoine Chevrollier as a promising filmmaker.

Payal Kapadia interview: “Making films about women isn’t a choice—It’s what I need to do”

The Indian director talks to us about her Palme d'Or frontrunner and the first Indian film in 30 years to premiere in-competition at the Cannes Film Festival.

Caught By The Tides review—mesmerising slow-burn from one of China’s best living filmmakers

Sixth gen Chinese filmmaker Jia Zhangke repurposes his own archive imagery to create a moving tribute to his wife and muse Zhao Tao, all the while commenting on how China has changed over the years.

Cannes 2024: Anora review—a star is born in Sean Baker’s blazing tale of excess

Mikey Madison lights up like a firework in Sean Baker’s Anora, in a performance that we’ll be talking about for years to come. 

Cannes 2024: September Says review—a wonderfully weird portrait of sisters

Ariane Labed's September Says—competing as part of Un Certain Regard—is a compelling debut feature from a director who should go on to greater things.

Cannes 2024: The Substance review—a twisted symphony of blood, guts and breasts

Coralie Fargeat's second feature is a Cronenbergian tale of fame and ageing. Despite it's exhilirating body horror, the film is hollow at its core, says Iana Murray.

Cannes 2024: Megalopolis review—leap-of-faith cinema with a beating heart

Francis Ford Coppola's decades-long passion project, fails spectacularly—though it's not without meaning.

Cannes 2024: The Surfer review—a cult movie in the making 

Lorcan Finnegan's splashy follow-up to Vivarium and Nocebo offers one of Nicolas Cage's best performances.

Cannes 2024: Emilia Perez review—an edgy musical of style and substance

Jacques Audiard's subversive musical is deservedly pegged to win the Palme d’Or.

Cannes 2024: Kinds of Kindness review—a triptych of elevated weirdness

Yorgos Lanthimos's follow-up to Poor Things is a return to the Greek director's weird roots, says Anna Bogutskaya.

Cannes 2024: The Girl with the Needle review—a sumptuously grim fairytale

Playing in Competition at the 2024 Cannes Film Festival, The Girl with the Needle is a powerful and macabre tale that confirms Magnus von Horn as a major talent.

Cannes 2024: Wild Diamond review—a tale of girlhood under the influence

Agathe Riedinger's debut film, Wild Diamond—in competition at Cannes Film Festival—excavates social media culture, but despite its glittering premise, fails to live up to its potential.

Cannes 2024: The Second Act review—a soufflé of cinematic satire

Cannes Film Festival's inaugural film, The Second Act by Quentin Dupieux, is a film about a film which ultimately falls a bit flat, writes Andy Hazel.

Oh, Paul Schrader

The great writer-director Paul Schrader describes his upbringing, his fascination with metaphors and symbolism, his next feature, Oh, Canada (starring Jacob Elordi) and why cinema has become more prudish.

Cannes 2024: Seven unmissable films playing this year

The biggest film festival in the world is back with a typically impressive lineup.