Editorial

What did the iconic women of Italian film have in common? Fatima Khan unpacks what she calls 'La Donna Fatale'

What did the iconic women of Italian film have in common? Fatima Khan unpacks what she calls 'La Donna Fatale'

Our Rome correspondent Alain Elkann reminisces on Fellini’s Rome and his encounters with the director…including in his sleep.

La Dolce Vita is Fellini’s masterpiece, and perhaps the most famous Italian film of all time. In his essay, Jonathan Romney looks at the movie’s prestige over time, as well as the addictively glamorous world it depicts.

Charline Bourgeois-Tacquet delivers a remarkably polished debut that speaks to the age of the "chaotic femme"

The twenty-four films vying for the Golden Lion this year – and the ten we think are the ones to watch

The writer-director waxes on conceiving the Soho Film Club, a formative experience dating a cinephile, and Pedro Almodovar...

Follow us down the rabbit hole – purchase a single copy of our first issue here!

Since the advent of cinema, great directors have cultivated their personal style off-screen as well as through their movies. Here, we explore the sartorial triumphs of the filmmakers...