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Editorial

Fellini’s Dreams

Our Rome correspondent Alain Elkann reminisces on Fellini’s Rome and his encounters with the director…including in his sleep.

La Dolce Vita

The Legacy Of La Dolce Vita

La Dolce Vita is Fellini’s masterpiece, and perhaps the most famous Italian film of all time. In his essay, Jonathan Romney looks at the movie’s prestige over time, as well as the addictively glamorous world it depicts.

Editor’s Note – Issue 2

Welcome to the second issue of A RABBIT’S FOOT, film, art, culture and confessions. Much has happened since our first issue launch at the Cannes Film Festival in May. Since going digital in July, we have started taking subscriptions to our website. The site allows you to read the printed version of the magazine online,… Continue reading Editor’s Note – Issue 2

Anaïs In Love

Anaïs In Love and the ethics of selfishness

Charline Bourgeois-Tacquet delivers a remarkably polished debut that speaks to the age of the "chaotic femme"

White Noise

The 79th Venice Film Festival: A Watchlist

The twenty-four films vying for the Golden Lion this year – and the ten we think are the ones to watch

Soho Film Club

Shaden Adela: Confessions Of A ’99

The writer-director waxes on conceiving the Soho Film Club, a formative experience dating a cinephile, and Pedro Almodovar...

Issue One – (Sold Out)

Follow us down the rabbit hole – purchase a single copy of our first issue here!

Director’s Style

Since the advent of cinema, great directors have cultivated their personal style off-screen as well as through their movies. Here, we explore the sartorial triumphs of the filmmakers...

Shortbus

The Glorious Fluidity of Shortbus

John Cameron Mitchell's boundary-pushing sex-comedy remains a refreshing ode to fluidity.

Impressions of Florian Zeller: The Father

The Parisian Auteur has always tapped into emotions that are innately human, writes Sara-Ella Ozbek