Editorial Archives

Film, Style

Grande belleza: The hidden charms of Sophia Loren

Writer Natasha A. Fraser explores how Sophia Loren won over Hollywood.

By Natasha A. Fraser

Confessions, Film

An Hour With Valeria Golino

ARF Editor-In-Chief Charles Finch engages in open conversation with actress, filmmaker and personal friend of his, Valeria Golino

By Charles Finch

Confessions, Uncategorized

The Manifesto: Italian Issue

The young artists of Italian Cinema offer us their personal manifestos...

By A Rabbit's Foot

Confessions, Film

Confessions, Film

Masks, Masculinity, and the D’Innocenzos

Luke Georgiades talks to the filmmaker twin that are blazing a trail past their contemporaries

By Luke Georgiades

Confessions, Film

The New Roman: Carlotta Antonelli

Carlotta Antonelli is hard to miss. The Roman-born actress, who has been hotly-tipped after roles in Suburra and Bangla, as well as the recent Bang Bang, speaks with us about her morning coffee, gritty characters, and her hometown. On Freedom. I find freedom in a performance when I am unsure what is happening; when I… Continue reading The New Roman: Carlotta Antonelli

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Confessions, Film

Playing the Part with Fotini Peluso

"The kids are alright" as ARF Deputy Editor Chris Cotonou engages in a brief but insightful conversation with actress Fotini Peluso

By Chris Cotonou

Art & Photography, Confessions, Culture

Art & Photography, Confessions, Culture

An Unexpected Defence of Rosso Malpelo

Writer-director Carolina Cavalli makes her case in the defence of Italian folk-hero Rosso Malpelo...

By Carolina Cavalli

Confessions, Film

A conversation with Alberto Barbera

The Venice Film Festival chief talks his good friend, writer and editor Malcom Pagani...

By Malcom Pagani

Confessions, Film

penelope cruz venice film festival 2022 interview

Confessions, Film

Penelope Cruz: In Conversation

Jason Solomons talks to Penelope Cruz about her iconic career, her love for Italian cinema, and new film L'immensita

By Jason Solomons

Film

Portrait Of An Artist: Francesco Carrozzini

As his film The Hanging Sun closes this year’s Venice Film Festival, Fatima Khan and Francesco Carrozzini discuss the tribulations of filming through Norwegian weather, and the serendipitous attachment to a festival he feels has shaped his career.

By Fatima Khan