Confessions

Confessions

On ‘Off With Her Head’, Banks finds joy in executing demons

By Luke Georgiades

Confessions

Long-distance with Lola Kirke

Confessions

“I was afraid of this film”: Edward Berger on Conclave

By Edward Berger

Confessions

The Seed of the Sacred Fig explores familial fragmentation under theocracy

Confessions

The Dark Lady: Harriet Walter

By Kitty Grady

Confessions

Steve McQueen: “Legacy? No. I’m just getting started.”

By Luke Georgiades

Confessions

Jacques Audiard knows he can’t please everyone

By Chris Cotonou

Confessions

Jack Huston on Day of the Fight: “I had to feel as if it would kill me if I didn’t make this movie.”

By Luke Georgiades

Confessions

Mike Leigh: “My job is to get the hell on with it, make films and shut up”

By Luke Georgiades

Confessions

Adrien Brody on crafting a legacy for stage, screen and canvas

By Charles Finch

Confessions

Felicity Jones: “I feel driven and decisive in my work”

Confessions

The building is screaming: Brady Corbet on The Brutalist

By Fridtjof Ryder

Confessions

Nick Hamm on his William Tell epic: “I wanted it to be like The Sound of Music with violence.”

By Chris Cotonou

Confessions

Vermiglio director Maura Delpero: “I need to begin from the ground, from reality”

Confessions

Usman Riaz on The Glassworker, Pakistan’s first hand-drawn animated film

By Fatima Khan

Confessions

“I live like a nun”: Director Halina Reijn on Babygirl

By Kitty Grady

Confessions

A still from The Sun Sets on Beirut (dir. Daniela Stephan).

Daniela Stephan on The Sun Sets on Beirut: “Lebanese cinema is proof of our existence.”

By Luke Georgiades

Confessions

Denis Villeneuve dreams of movies

By Chris Cotonou

Confessions

A symphony of shadows: Robert Eggers and his cast shed light on their new Nosferatu

By Alia Abdulla

Confessions

Joan Chen on Twin Peaks, motherhood, and finding new acclaim with Didi

By Andy Hazel

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