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Confessions

Coralie Fargeat: “I give birth through my art”

Vive l’amour at 30: Tsai Ming-liang revisits his intoxicating masterpiece

The Malaysian director's Golden Bear winning sophomore feature is as relevant now than it was in 1994.

Producer Alex Saks on It Ends With Us: “We don’t make a ton of movies anymore that elicit emotions like this.”

In Sing Sing, Clarence Maclin is tapping into his rawest self

We speak to the Sing Sing actor about his breakout role, which might just prove to be the best performance of the year.

Joachim Rønning: “Young Woman and the Sea [is] the movie I want for my daughters.”

The director's latest focuses on the forgotten odyssey of 1920s Olympian swimmer Trudy Ederle, who became the first woman to cross the English channel.

With Didi, Sean Wang is telling a new kind of coming-of-age story

The 2008-set comedy-drama stirringly explores the ache of adolescence at the turn of the new millennium.

Nick Ashley biking

Nick Ashley: In Motorised Meditation

Fashion designer and petrol head Nick Ashley takes us on a tour of his life on wheels.

Erica Tremblay’s Fancy Dance is a gift of Native American filmmaking

The director's first fiction feature is a proud declaration of Native American existence in the cinematic canon.

With Bye Bye Tiberias, Lina Soualem is taking back her family’s legacy

The French-Algerian Palestinian filmmaker's second film retraces the resilient legacy of the Palestinian women in her family.

Drugstore cowboy its

“We had Satan on speed-dial”: An Oral History of Drugstore Cowboy

A Rabbit's Foot talks to director Gus Van Sant, stars Matt Dillon and Kelly Lynch, producers Laurie Parker and Nick Wechsler, and screenwriter Dan Yost about the film that helped kick off a new wave of American independant cinema.