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Usman Riaz talks his debut feature The Glassworker, creating Pakistan’s first animation studio and his visit to Studio Ghibli in Japan.
Babygirl opens with an orgasm, but it is by no means the film’s climax. Kitty Grady speaks to the film’s writer and director, Halina Reijn, about working with Nicole Kidman, breaking America, and the beast inside of us all.
The Lebanese filmmaker sat down with A RABBIT'S FOOT to discuss coming-of-age in Lebanon, how different traumas breed different perspectives between generations, and The Sun Sets on Beirut, which remains as urgent a film as you could hope to come across this year.
Denis Villeneuve has conquered Hollywood. But within his artist’s temperament is a desire to do things differently, everytime, and embolden his experience with new risks. Here, he shares his vision of cinema, and speaks honestly about the power of dreams.
Actress Joan Chen began her career in China in the late 1970s. After over 40 years in television and cinema, she is receiving her most rapturous reviews of her career.
The acclaimed Canadian filmmaker talks new film Rumours, Chat GPT, and alienating audiences with co-directors Evan Johnson and Galen Johnson.
Martin Brest’s 1992 film has become a crowd-pleasing classic since it first swept cinemas 32 years ago. We talk to the director about the making of his award-winning drama, alongside a special note from star Al Pacino.
