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"On me parle beaucoup de mon regard ces derniers temps." The director of L’Événement shares an essay on the pitfalls of categorisation in art and film.
Producer Lawrence Bender reflects on a career visiting Cannes with Tarantino, in this series of anecdotes.
These essays first appeared in Two Screenplays: The Blood of A Poet and The Testament of Orpheus (1985). Reprinted by permission of Marion Boyars Publishers, New York, London.
With her film Les Amandiers in competition at Cannes, Valeria Bruni-Tedeschi discusses the pleasures of looking to the past.
Virginie Mouzat looks into the under-appreciated magic of Francois Dorleac.
British film director Damian Harris explores the influence of Claire’s Knee on his life and work.
Legendary producer Jeremy Thomas reminisces on his history with Cannes Film Festival.
Few recent performances have achieved the same buzz as Agathe Rousselle in Julia Ducournau’s Titane. Here we speak to its star about film, peace of mind, and New York.
In this intimate discussion, the inimitable Isabelle Adjani discusses her career, life, and the strength of women in cinema.
Makita Samba is part of the ensemble of young actors taking the lead in Jacques Audiard’s Paris, 13th District.
