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Mikey Madison lights up like a firework in Sean Baker’s Anora, in a performance that we’ll be talking about for years to come.
Coralie Fargeat’s second feature is a Cronenbergian tale of fame and ageing. Despite it’s exhilirating body horror, the film is hollow at its core, says Iana Murray.
Agathe Riedinger’s debut film, Wild Diamond—in competition at Cannes Film Festival—excavates social media culture, but despite its glittering premise, fails to live up to its potential.
